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Film and Philosophy
Volume 4, Issue Volume IV, 1997
Volume IV
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Displaying: 1-13 of 13 documents
1.
Film and Philosophy:
Volume
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4
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Issue: Volume IV
Raymond D. Boisvert, Jayne R. Boisvert
Bread, Companionship, and the Ethics of Attentive Response: Marcel Pagnol's The Baker's Wife
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Film and Philosophy:
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4
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Issue: Volume IV
Christopher D. Morris
The Lodger's Allegory of Seeing
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3.
Film and Philosophy:
Volume
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4
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Issue: Volume IV
Fred Seddon
Some Truths About Pulp Fiction
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4.
Film and Philosophy:
Volume
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4
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Issue: Volume IV
Allan Casebier
A Phenomenology of Television Experience
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5.
Film and Philosophy:
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4
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Issue: Volume IV
Joseph Kupfer
Aristotle and Egoism in Ground Hog Day
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6.
Film and Philosophy:
Volume
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4
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Issue: Volume IV
Joseph Kupfer
Speech, Community, and Evil in Rob Roy
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7.
Film and Philosophy:
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4
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Issue: Volume IV
Jeffery L. Geller, Richard Vela
Happiness Through Insanity: The Function of Outrageousness in Screwball Comedy
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8.
Film and Philosophy:
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4
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Issue: Volume IV
Brian O'Leary
King Vidor's Communitarian Vision in Our Daily Bread
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9.
Film and Philosophy:
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4
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Issue: Volume IV
Jack Simmons
The Ontology of Perception in Cinema
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10.
Film and Philosophy:
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4
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Issue: Volume IV
Kevin W. Sweeney
Deluze on Beckett's Film
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11.
Film and Philosophy:
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Issue: Volume IV
David Goldblatt
Tourists with Typewriters: Jew and Writer in Barton Fink
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12.
Film and Philosophy:
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4
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Issue: Volume IV
Harvey Roy Greenberg
Machine Dreams
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13.
Film and Philosophy:
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Issue: Volume IV
Addresses of Contributors
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