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Film and Philosophy
Volume 10, 2006
Philosophy of Film and Film Theory
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Displaying: 1-16 of 16 documents
1.
Film and Philosophy:
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10
Dan Flory
Editor's Introduction
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2.
Film and Philosophy:
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Amy Coplan
Caring about Characters: Three Determinants of Emotional Engagement
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3.
Film and Philosophy:
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Margrethe Bruun Vaage
The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology
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4.
Film and Philosophy:
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lls Huygens
Emotion and Film Theory: Incorporating Affect
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5.
Film and Philosophy:
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C. Paul Sellors
A Realist Account of Fiction
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6.
Film and Philosophy:
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Scott Stroud
Pragmatist Aesthetics and Film: The Thin Red Line and Orientational Meliorism
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7.
Film and Philosophy:
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Aaron Smuts
V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance
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8.
Film and Philosophy:
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Kevin L. Stoehr
The Dialectical Approach to the Art of the Moving Image: Hegel, Eisenstein and Kracauer
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9.
Film and Philosophy:
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Greg M. Smith
Reflecting the Image: Satrean Emotions in the Writings of Andre Bazin
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10.
Film and Philosophy:
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Jonathan Lahey Dronsfield
The Condition of Film as Philosophy: Or, How Can a Film Ask a Question?
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symposium: noel carroll's engaging the moving image
11.
Film and Philosophy:
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Andrew Light
Objectivity and the Film of Presumptive Assertion
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12.
Film and Philosophy:
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Thomas Wartenberg
Understanding Film Form: A Critique of Carroll's Functional Account
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13.
Film and Philosophy:
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Noël Carroll
The Moving Image: Form and Fact-Response to Tom Wartenberg and Andrew Light
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14.
Film and Philosophy:
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Books Received From Members
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errata
15.
Film and Philosophy:
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"Figure 1, The continuum of empathic experiences" (insert at p.33)
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16.
Film and Philosophy:
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"References" (insert at p.38)
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