Film and Philosophy

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Film and Philosophy

Volume 18, 2014

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1.	Film and Philosophy: Volume > 18 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


2.	Film and Philosophy: Volume > 18 Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection view \| rights & permissions \| cited by


3.	Film and Philosophy: Volume > 18 Emma Bell Grief Time: Feeling Philosophy in Inception view \| rights & permissions \| cited by


4.	Film and Philosophy: Volume > 18 Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella view \| rights & permissions \| cited by


5.	Film and Philosophy: Volume > 18 Alain Beauclair I Have Been And Always Shall Be Your Friend view \| rights & permissions \| cited by


6.	Film and Philosophy: Volume > 18 Sander Lee The Moral Implications of Gettysburg view \| rights & permissions \| cited by


7.	Film and Philosophy: Volume > 18 Daniel Wack How Movies Do Philosophy view \| rights & permissions \| cited by


8.	Film and Philosophy: Volume > 18 C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film? view \| rights & permissions \| cited by


9.	Film and Philosophy: Volume > 18 Vernon Cisney The Madness of God: The Schizosign in Shutter Island view \| rights & permissions \| cited by


10.	Film and Philosophy: Volume > 18 Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story view \| rights & permissions \| cited by


11.	Film and Philosophy: Volume > 18 Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life view \| rights & permissions \| cited by

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Browse > Volume > 18

Film and Philosophy

Volume 18, 2014

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Displaying: 1-11 of 11 documents