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New Hibernia Review
Volume 22, Issue 1, Earrach / Spring 2018
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Displaying: 1-14 of 14 documents
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New Hibernia Review:
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Nótaí na nEagarthóirí: Editors’ Notes
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New Hibernia Review:
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Kieran Quinlan
In the Village of the Foreigners
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New Hibernia Review:
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Elizabeth Meloy
“In the Dawn of a Brighter Day”: Re-presenting the Famine at the Irish International Exhibition of 1853
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Clúdach: Cover
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Beth O’Leary Anish
Arrived at Last: The Young Women of Elizabeth Cullinan’s Fiction
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6.
New Hibernia Review:
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Catherine Ann Cullen
Filíocht Nua: New Poetry
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7.
New Hibernia Review:
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Jason C. Cash
“Rubbed-out Men in the Raveled Empire of the Queen”: Transnational Utopianism in The Whereabouts of Eneas McNulty
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8.
New Hibernia Review:
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Mollie Kervick
“Looking Back” at Inis Meáin: Alternative Mothering in Synge’s The Aran Islands and Emily Lawless’s Grania
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9.
New Hibernia Review:
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David Clare
Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune
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10.
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Tricia O’Beirne
“In a Position To Be Treated Roughly”: F. R. Higgins in the Abbey Theatre Minute Books
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11.
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Christopher Shannon
The Dady Brothers, Irish Music, and the Power of Place in Postwar America
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léirmheasanna: reviews
12.
New Hibernia Review:
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Sally Barr Ebest
Respectability and Reform: Irish American Women’s Activism, 1880–1920, by Tara M. McCarthy
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New Hibernia Review:
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Miriam O’Kane Mara
Laying Out the Bones: Death and Dying in the Modern Irish Novel by Bridget English
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New Hibernia Review:
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Tony Curtis
Lawrence O’Shaughnessy Award for Poetry
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