Film and Philosophy


1.	Film and Philosophy: Volume > 20 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


2.	Film and Philosophy: Volume > 20 William Pamerleau The Cost of Greatness: A Nietzschean Analysis of Whiplash view \| rights & permissions \| cited by


3.	Film and Philosophy: Volume > 20 Frank Boardman An Argument (Many) Films Make view \| rights & permissions \| cited by


4.	Film and Philosophy: Volume > 20 James Conlon The Goodness Of The ‘Holy Fool’ In Talk To Her (Hable con ella) view \| rights & permissions \| cited by


5.	Film and Philosophy: Volume > 20 Laura T. Di Summa-Knoop “It is Like It is Always Right Now”: Richard Linklater’s Boyhood and the Fiction-Nonfiction Divide view \| rights & permissions \| cited by


6.	Film and Philosophy: Volume > 20 Joseph Kupfer Care, Autonomy and Art: Frida and Camille Claudel view \| rights & permissions \| cited by


7.	Film and Philosophy: Volume > 20 Jack Simmons, Leigh E. Rich Hannibal and the Horrors of Hyper-Rationality view \| rights & permissions \| cited by


8.	Film and Philosophy: Volume > 20 Roy W. Perrett Waltz with Bashir and the Definition of Documentary view \| rights & permissions \| cited by


9.	Film and Philosophy: Volume > 20 Dan Shaw Animated Thought: Inside Out and Philosophy of the Emotions view \| rights & permissions \| cited by