Renascence

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1.	Renascence: Volume > 17 > Issue: 3 Nancy A. J. Potter Muriel Spark: Transformer of the Commonplace view \| rights & permissions \| cited by


2.	Renascence: Volume > 17 > Issue: 3 Barton R. Friedman "When There Is Nothing": Hardy's Souls of the Slain view \| rights & permissions \| cited by


3.	Renascence: Volume > 17 > Issue: 3 Eugene Paul Nassar Hopkins, Figura, and Grace: God's Better Beauty view \| rights & permissions \| cited by


4.	Renascence: Volume > 17 > Issue: 3 Robert A. Kantra Irony in Belloc view \| rights & permissions \| cited by


5.	Renascence: Volume > 17 > Issue: 3 Eugene Paul Nassar Hopkins, Figura, and Grace: God's Better Beauty (continued) view \| rights & permissions \| cited by


6.	Renascence: Volume > 17 > Issue: 3 Lewis A. Lawson Flannery O'Connor and The Grotesque: Wise Blood view \| rights & permissions \| cited by


7.	Renascence: Volume > 17 > Issue: 3 Francis L. Kunkel Christ Symbolism in Faulkner: Prevelance of the Human view \| rights & permissions \| cited by


8.	Renascence: Volume > 17 > Issue: 3 Lewis A. Lawson Flannery O'Connor and The Grotesque: Wise Blood (continued) view \| rights & permissions \| cited by


9.	Renascence: Volume > 17 > Issue: 3 J. Oates Smith Porter's Noon Wine: A Stifled Tragedy view \| rights & permissions \| cited by

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10.	Renascence: Volume > 17 > Issue: 3 Sister M. Thérèse Psalms and Dancing view \| rights & permissions \| cited by

11.	Renascence: Volume > 17 > Issue: 3 John Pick Letters and Theology view \| rights & permissions \| cited by

12.	Renascence: Volume > 17 > Issue: 3 John Pick The First Score view \| rights & permissions \| cited by

13.	Renascence: Volume > 17 > Issue: 3 John Pick Sitwell Study view \| rights & permissions \| cited by


14.	Renascence: Volume > 17 > Issue: 3 Notes On Contritutors view \| rights & permissions \| cited by

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Renascence

Essays on Values in Literature

Volume 17, Issue 3, Spring 1965

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