Cover of Film and Philosophy
Already a subscriber? - Login here
Not yet a subscriber? - Subscribe here

Displaying: 1-13 of 13 documents


1. Film and Philosophy: Volume > 12
Daniel Shaw Editor's Introduction
view |  rights & permissions | cited by
2. Film and Philosophy: Volume > 12
Bruce Russell Film's Limits: The Sequel
view |  rights & permissions | cited by
3. Film and Philosophy: Volume > 12
Noël Carroll Philosophy in the Moving Image: Response to Bruce Russell
view |  rights & permissions | cited by
4. Film and Philosophy: Volume > 12
Thomas E. Wartenberg What Else Films Can Do: A Response to Bruce Russell
view |  rights & permissions | cited by
5. Film and Philosophy: Volume > 12
Bruce Russell Replies to Carroll and Wartenberg
view |  rights & permissions | cited by
6. Film and Philosophy: Volume > 12
J. Heath Atchley Smoke and the Practice of Philosophy
view |  rights & permissions | cited by
7. Film and Philosophy: Volume > 12
Ben Convey Hostel: A Nightmare of the Hyperreal
view |  rights & permissions | cited by
8. Film and Philosophy: Volume > 12
Brian Laetz Two Problematic Theses in Carroll's Account of Horror
view |  rights & permissions | cited by
9. Film and Philosophy: Volume > 12
William Grundy Cinema as Sacrifice: Borat and the Culture Industry
view |  rights & permissions | cited by
10. Film and Philosophy: Volume > 12
Sean McAleer Self-Knowledge, Self-Deception, and Retaliation: Lessons from The Limey and The Godfather
view |  rights & permissions | cited by
11. Film and Philosophy: Volume > 12
Ramsey Eric Ramsey, Diane Gruber Do You Have a Light?: The Failures and Special Effects of Godard's Alphaville
view |  rights & permissions | cited by
12. Film and Philosophy: Volume > 12
Kayley Vernallis Tedium, Aesthetic Form, and Moral Insight in Silverlake Life
view |  rights & permissions | cited by
13. Film and Philosophy: Volume > 12
Robert Yanal Defining the Moving Image: A Response to Noël Carroll
view |  rights & permissions | cited by