This paper examines Hume’s four essays on happiness: the “Epicurean,” the “Stoic,” the “Platonist,” and the “Sceptic.” I argue, first, that careful attention to how these essays are written shows that they do not simply argue for one position over others. They also elicit affective and imaginative responses in order to modify the reader’s outlook and to improve the reader’s understanding in service to moral ends. The analysis offers an improved reading of the essays and highlights the intimate connections between the purposes of philosophical writing and its manner of presentation. Secondly, I contend that appreciating how Hume’s essays on happiness work on the reader demonstrates the insufficiency of Hume’s categories of “anatomist” and “painter.”

I consider a class of argument implying that Hume’s position on general representation is irredeemably circular in that it presupposes what it is meant to explain. Arguments of this sort (the most famous being Sellars’ “myth of the given”) threaten to undermine any empiricist account of general representation by showing how they depend on the naïve assumption that the relevant resemblances required for the sorting of experience into concepts for use in reasoning are simply given in experience itself. My aim is to salvage Hume’s account from this objection. To that end, I argue first for a “Goodmanesque” interpretation of Humean resemblance, and second for an alternative reading of Hume’s account of general ideas offered at T 1.1.7 that avoids falling into “the given” trap.

In section 12 of the Enquiry concerning Human Understanding, Hume presents several skeptical arguments, including “popular” and “philosophical”objections to inductive reasoning. I point out a puzzling aspect of Hume’s treatment of these two kinds of objection, and I suggest a way to deal with the puzzle. I then examine the roles of both kinds of objection in leading to “mitigated” skepticism. In particular, Hume claims that the philosophical objection can lead to limiting investigation to matters of common life; but several philosophers have noted that this objection, far from leading to this result, seems to be inconsistent with it. I examine attempts to establish consistency, and I suggest a way to understand how the philosophical objection, along with the popular objections, can indeed provide reasons for mitigated skepticism.

In this paper, we see that contrary to most readings of T 1.4.2 in the Treatise (“Of Skepticism with Regard to the Senses”), Hume does not think that objects are sense impressions. This means that Hume’s position on objects (whatever that may be) is not to be conflated with the vulgar perspective. Moreover, the vulgar perspective undergoes a marked transition in T 1.4.2, evolving from what we may call vulgar perspective I into vulgar perspective II. This paper presents the first detailed analysis of this evolution, which includes an explanation of T 1.4.2’s four-part system.

It is not unusual now for Hume to be read as part of a virtue ethical tradition. However there are a number of obstacles in the way of such a reading: subjectivist, irrationalist, hedonistic, and consequentialist interpretations of Hume. In this paper I support a virtue ethical reading by arguing against all these interpretations. In the course of these arguments I show how Hume should be understood as part of a virtue ethical tradition which is sentimentalist in a response-dependent sense, as opposed to Aristotelian.

Why does Hume think that the “distinct existence” of sensible objects implies their “continu’d existence”? Does Hume have any reason for thinking that objects have an intermittent existence, other than that they lack a “distinct” existence? Why does Hume think that the inference from the “coherence” of our impressions to the continued existence of objects is “at bottom” considerably different from causal reasoning? The answers proposed are, respectively, that perceptually delimited objects would for Hume be causally dependent on being perceived; that Hume’s collapse of the object/perception distinction leads him to the view that objects have as “gappy” an existence as our perceptions of them, and that cases of coherence falsify the generalizations that would need to hold for inferences from coherence to qualify as causal reasoning.

It is generally assumed that in early modern Britain, chivalry—allegedly typified by the Crusades—was considered a negative or even ridiculous ideology until its rehabilitation by the pre-Romantic movement. However, this paper argues that Hume and other Scottish Enlightenment thinkers had already shown a deep interest in its historical role and influence on modern civilization. That Hume shared a broad interest in chivalry with contemporary philosophers does not undermine the novelty of his thought on this topic. In fact, the pioneering and unique aspects of his contributions can be clarified by setting them in context.