Nietzschean reminiscences of Schelling? The title seems to suggest either that Schelling can remember forward to Nietzsche or that some more positive reminiscence of Schelling lies hidden in Nietzsche’s work. Perhaps there is something like a forward-looking remembrance. Perhaps every thinker looks forward to those few who will pick up the thread of his or her thinking—not as the “unthought” of that thinking, but as the very thread that Ariadne ravels and allows to trail behind her. Perhaps too there is something in Nietzsche’s work that demands a more sympathetic and protracted response to Schelling than the response Nietzsche appears to offer.

The paper begins by raising once again the question of the possible unity of Schelling’s work, despite the undeniable transformations the work undergoes. It isproposed that such unity is best considered by taking seriously the primacy of the philosophical task that Schelling confronts, rather than by emphasizing whatever doctrinal or doxographical positions he espouses. Such a view of Schelling’s work is confirmed if one considers his continual critique of predicative discourse. Philosophical thought remains irreducible to propositional content because the matter of philosophy must already be presupposed if such propositions are to arise. This matter or “unprethinkable” source, given to thinking, can only be addressed in an explicit affirmation of freedom and life. Thus, Schelling’s work as it raises the question of freedom has to be encountered as itself a manifestation of freedom, and such an interpretation of Schelling for its part also must presuppose the freedom of the interpreter. The paper argues that this approach to Schelling makes it necessary to be attentive to the “performative dimension” of his work, to the way in which what is at issue in it becomes manifest indirectly. Schelling’s demand for a positive philosophy thus also calls for and makes possible a different relation to language and the word. The word can no longer be taken as the sensible marker for an intelligible content, but becomes the living bond of what is.

This essay seeks to explicate the ethical dimension of Schelling’s project. Schelling complicates the theory/praxis distinction by arguing that these two modalities are different sides of the same movement in thinking. I attempt to establish this by first examining Schelling’s early essay, Neue Deduktion des Naturrechts, and then by turning to his celebrated Freedom essay. Although I chiefl y examine an early work and then a work from his middle period, I contend that the ethical dimension governs all of Schelling’s thinking. I examine closely Schelling’s description of Mitwissenschaft (the conscience). I further develop my argument by contrasting Nietzsche’s understanding of this notion with Heidegger’s treatment of it in Being and Time. I then turn to Hannah Arendt and her discussion of “radical evil” and the “conscience” in order to deepen our appreciation of Schelling’s watershed contribution.

Schelling’s System of Transcendental Idealism is usually considered to be either (1) an early Fichtean-influenced work that gives little insight into Schelling’s philosophy or (2) a text focusing on self-consciousness and aesthetics. I argue that Schelling’s System develops a subtle conception of history which originates in a dialogue with Kant and Hegel (concerning the question of teleology) and concludes in proximity to an Idealist version of Spinoza. In this way, Schelling develops a philosophy of history which is, simultaneously, a dialectical engagement with the history of philosophy.

In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as the irreducible gap between the positions themselves, the purely structural interstice between them. Kant’s stance is thus “to see things neither from his own viewpoint, nor from the viewpoint of others, but to face the reality that is exposed through difference (parallax).” What Kant does is to change the very terms of the debate; his solution—the transcendental turn—is unique in that it first rejects any ontological closure: it recognizes a certain fundamental and irreducible limitation (“finitude”) of the human condition, which is why the two poles, rational and sensual, active and passive, cannot ever be fully mediated—reconciled. And, according to Karatani, Marx, in his “critique of political economy,” when faced with the opposition of the “classical” political economy and the neo-classic reduction of value to a purely relational entity without substance, accomplished exactly the same breakthrough toward the “parallax” view: he treatedthis opposition as a Kantian antinomy, i.e., value has to originate outside circulation, in production, and in circulation.

Kant’s avowed commitment to the basic principles of Leibniz’s metaphysics is evident throughout the critical project and stated explicitly in the Prize Essay. However, it is not until the Critique of Judgment, wherein Kant recognizes that Judgment operating in its reflective mood can engender synthetic a priori claims, that Kant is fully capable of appropriating the basic tenets of Leibniz’s metaphysics. This paper examines Kant’s treatment of Leibniz from the perspective of the Critique of Judgment. It is argued that from this vantage point the metaphysics of Leibniz is viewed as fundamental for Kant’s critical project. Moreover, it is argued that it is not until the retrieval of Leibniz’s metaphysics that Kant has a basis for seeking the unity of pure and practical reason.

This essay seeks to accomplish three things: First, to examine Nietzsche’s critique of the “subject” in modern philosophy, with particular reference to Descartes.Second, to present an interpretation of Nietzsche’s alternative conception of “the subject as multiplicity.” And third, to argue that, for Nietzsche, this account of the “subject” as multiplicity does not lead to a kind of atomistic or anarchic view of the “subject,” contrary to what is often supposed. The essay focuses in particular on a number of aphorisms from The Will to Power that articulate most forcefully Nietzsche’s critique of Cartesian subjectivity and its aftermath. Thinking, as interpretation, Nietzsche suggests, is an activity undertaken not by a unitary “subject” that is conscious of itself, but by a much more subtle, largely concealed, and complex interplay of drives as forces of domination that together constitute the phenomenon of the living body.

This paper is about the relevance of the ineffable and the singular to hermeneutics. I respond to standard criticisms of Friedrich Schleiermacher by Karl Barth and Hans-Georg Gadamer in order to clarify his understanding of language, interpretation, and religion. Schleiermacher’s “indicative hermeneutics” is developed in the context of the ethical significance of communication and the ineffable. The notion of trace is employed in order to interpret the paradox of speaking about that which cannot be spoken. The trace is not a brute singularity but bears a fundamental relationship to the word—and ultimately the word of God—for Schleiermacher.

In the Phaedrus, Plato’s Socrates distinguishes himself from the natural scientists of his day and indicates that the true philosophical attitude, the love of realhuman wisdom, shares something essential with the mythical attitude. In the following essay, I argue that Socrates criticizes science here for its failure to attend to aporia, to recognize an essentially questionworthy aspect of the world of human experience, an aspect I will refer to as distance. Furthermore, I argue that Socrates aligns his own philosophical activity with myth in its maintenance of this distance.

It is a common view that Ockham’s critique of Scotus’s position on the issue of contingency is “devastating,” for it seems obvious that a possibility that does notactualize is simply no possibility. This rejection however does not commit Ockham to necessitarism, for the consideration of the temporal discontinuity of volitions should suffice to save contingency. But does it? Is it the case that diachronic volitions (which Scotus also acknowledges) are sufficient?This essay argues that (1) the debate between Ockham and Scotus is not to be reduced to a logical disagreement (Scotus’s and Ockham’s modal logics are actually substantially similar) but is properly ontological inasmuch as it concerns the reduction and eventual identification of being with actuality and of actuality with reality in the sense of manifest; (2) the retrograding movement of truth from the present (Ockham’s 3rd suppositio) entails a temporal gap between present and future; and (3) Ockham’s solution depends on a conception of the will that cannot simply be identified with, and accounted for in terms of successive volitions.

While Melissus argues for a numerical monism, Parmenides and Zeno undermine claims to unconditional or transcendental knowledge. Yet the work of Parmenides and Zeno is not merely critical or eristic, and does not imply that philosophical inquiry is futile. Instead it shows the importance of reflection on the way the requisites of inquiry are represented in its results, and entrains an axiological investigation to every ontological one.

In the “Postscript” to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegel’s famous thesis on the end of art. The purpose of my essay is to contribute to this project by reexamining aspects of Hegel’s discussion of art in the Phenomenology of Spirit that appear to subvert his own thesis. Hegel’s treatment of ancient Greek drama and, specifically, some of his remarks on comedy, not only bring Hegel’s claim about the end of art into question, but also lend new insights into the possibilities for the relationship between truth and art in our age.

To establish a tripartite division of the parts of the soul, Socrates in Plato’s Republic introduces a Principle of Opposites. The principle entails that only distinct parts of a soul can be simultaneously engaged in opposed actions directed toward the same intended object. Appealing to the principle, Socrates proposes to distinguish between rational, spirited, and appetitive parts of the soul. He describes two situations of opposed actions in a soul that both desires to drink but chooses not to drink, and desires to indulge in morbid voyeurism but is angry about doing so. Without a sound basis for dividing the parts of the soul in precisely this way, Socrates cannot adequately defend the dialogue’s main conclusion that justice in both city and soul is the proper harmonious hierarchical order of their respective parts. I argue that Socrates’ efforts to prove the division of the soul into three parts are inconclusive because it is possible to interpret his illustrations as involving unopposed psychological acts directed toward different rather than identical intended objects.

This essay attempts to reflect on Bergson’s contribution to the reversal of Platonism. Heidegger, of course, had set the standard for reversing Platonism. Thus the question posed in this essay, following Heidegger, is: does Bergson manage not only to reverse Platonism but also to twist free of it. The answer presented here is that Bergson does twist free, which explains Deleuze’s persistent appropriations of Bergsonian thought. Memory in Bergson turns out to be not a memory of an idea, or even of the good, which is one, but a memory of multiplicity. Therefore Bergson’s memory is really, from a Platonistic standpoint, forgetfulness or, even, a counter-memory.

Roger Bacon’s On the Multiplication of Species is an attempt to analyze efficient causality in terms of forces that are multiplied from agent to patient. This essay argues that this has significant implications for the traditional distinction between appearance and reality in that Bacon refuses to think efficient cause in terms of some other reality that does not appear and yet is the ground of appearance.

This article suggests that Aristotle’s Metaphysics culminates not in the purity of God’s self-thinking, but rather in the contingent principles found in the Nicomachean Ethics. Drawing on such contemporary thinkers as Martin Heidegger, Hans-Georg Gadamer, Theodor Adorno, and Emmanuel Levinas, the article rethinks the relationship between ethics and ontology by reinvestigating the relationship between Aristotle’s Metaphysics and Nicomachean Ethics. It is argued that the ontological conception of praxis developed in the middle books of the Metaphysics points already to the Nicomachean Ethics where a conception of knowledge—phronêsis—is developed that is capable of addressing the lacuna in the account of ontological knowledge offered in the Metaphysics.

Throughout all of Deleuze’s work one finds an extended encounter with the Event of Difference. Deleuze’s extraordinary work on Leibniz is no exception. In the ‘later’ work, and regarding Leibniz, Deleuze remarks, “no philosophy has ever pushed to such an extreme the affirmations of one and the same world, and of an infinite difference and variety in this world”. This positive identification with Leibniz is not found in the ‘earlier’ wave of Deleuzian texts from the sixties where Leibniz is captured hesitating over the possible and the virtual. Any such hesitation over the possible and the virtual is “disastrous” for a philosophy of the event and difference since it abolishes the reality of the virtual and subordinates it to the identical, replacing pure immanence with a ‘theological model’ of creation. Is the Leibniz of Deleuze’s early texts compossible with the later? What is the significance of the event of difference or fold that joins and separates Deleuze’s continuing encounter with Leibniz? We will examine what is at stake in these differing understandings of Leibniz to Deleuze’s philosophy of events of difference.

By tracing the discourse employed by Critical philosophy back to a pre-predicative level of language, this paper adds a dimension to Heidegger’s retrieval of Kant. By making explicit the role that language plays in the first Critique—both in the development of the transcendental schema of knowledge in the Transendental Analytic and the determination of the boundaries of pure reason in the Transcendental Dialectic—a bridge is formed between Heidegger’s hermeneutics and Kant’s critical enterprise. Heidegger’s destructive-retrieval of Kant’s thought is then seen to hinge as much on exploring the issue of language, as it is on the issue of temporality.