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Displaying: 1-10 of 2331 documents

1. Renascence: Volume > 71 > Issue: 2
Jeffrey Hipolito An Introduction to Owen Barfield’s The Unicorn
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2. Renascence: Volume > 71 > Issue: 2
Mark Zunac ‘There was something gentlemanly about your painting’: Art and Beauty’s Truth in Waugh’s Brideshead Revisited
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While criticism of Evelyn’s Waugh’s Brideshead Revisited has generally focused on the novel’s Catholic themes, it has often overlooked the author’s exploration of certain correlative artistic values that that are both sustained by the Christian vision and integral to the development of a humane and soul-enriching culture. That culture for Waugh was necessarily grown out of an identifiable past and evoked by artistic representations of divine grace and human potential. This essay argues that Charles Ryder’s eventual Catholic conversion remains indispensable to the novel’s fulfillment of its author’s vision. This critical denouement, however, also serves to affirm the grace that is revealed throughout by the protagonist’s instinctive veneration for traditions besieged by a soulless and secular modernism. In this way, worldly beauty is intricately entwined with a life of virtue and can thus be seen as adjacent to those values hitherto singularly ascribed by critics of Brideshead to the Catholic mission.
3. Renascence: Volume > 71 > Issue: 2
Mary A. Melfi The Solidity of the Self: Turning and Returning in A Passage to India
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In A Passage to India, E.M. Forster examines the duality of three main characters, Mrs. Moore, Aziz, and Fielding and thereby demonstrates their relative stability in the primordial chaos of India. Unlike Adela who falls apart after her experience in the cave, these characters draw on the power of the imagination in a grappling struggle to remain morally centered when facing the darkness within. Forster suggests that turning to the East (where the Marabar caves represent darkness and destabilization) contrasts with returning to the West (where imaginative form represents order and light). In Mrs. Moore, Aziz, and Fielding, Forster examines the manner in which one might embrace a centered life committed to empathy for others by way of facing one’s own otherness. As these characters immerse themselves in India’s primordial formlessness and acknowledge their shadows, they embrace imaginative form rather than fall apart, and in doing so they serve as models of mythmakers and relative stability.
4. Renascence: Volume > 71 > Issue: 2
David N. Beauregard Love and Friendship in The Merchant of Venice: Shakespeare, Aristotle and Aquinas
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The basic argument of the essay is that in The Merchant of Venice Shakespeare represents Aristotelian-Thomistic notions of love and friendship. In the attraction of Bassanio for Portia we have the three-fold analysis of love as desire for the useful, the pleasurable and the virtuous. In the male friendship between Antonio and Bassanio we see the liberal man’s virtuous desire to give and share his wealth with his friends. Both relationships are concerned with giving and taking, a reflection of the Aristotelian-Thomistic distinction between love as desire and love as friendship. A final note is the play’s conclusion in the Aristotelian goods of happiness, gratuitous good fortune with the safe arrival of Antonio’s ships, union in friendship and marriage with Portia and Bassanio, Nerissa and Gaziano, and the wonder and delight that is to follow with Portia’s answer to all remaining questions.
5. Renascence: Volume > 71 > Issue: 2
Notes on Contributors
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6. Renascence: Volume > 71 > Issue: 1
Maurizio Ascari Beyond Realism: Ian McEwan’s Atonement as a Postmodernist Quest for Meaning
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A complex and controversial novel, Atonement is at the core of a lively critical debate, opposing those who focus on the impossibility of Briony’s atonement – also in relation to the author’s atheist views – to those who conversely explore the redemptive quality of her “postlapsarian” painful self-fashioning. Far from concerning simply the destiny of a literary character, this debate has to do with the impact Postmodernist relativism has on both the conception of the human subject and the discourses of the past, from memory to history and fiction. Discarding any potentially nihilistic interpretations of Atonement as disempowering, this article delves into Ian McEwan’s multi-layered text in order to comprehend its ambivalences, its subtle investigation of the human condition, and its status as a postmemory novel reconnecting us to the events of World War Two.
7. Renascence: Volume > 71 > Issue: 1
Michael Boler Screwtape’s Remedy for Love: C. S. Lewis and Ovid
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In the Ars Amatoria Ovid claims to make his audience experts in love; in the Remedia Amoris he teaches them how to fall out of love. These two poems are masterpieces of satirical comedy. At first glance Ovidian satire seems worlds apart from The Screwtape Letters of C.S. Lewis. While written for entirely different aims and differing in many obvious aspects, both works describe the surest means by which to suffocate love. For Ovid, it is romantic love that must be extinguished; for Screwtape, it is the love of God. While it might seem that the irony of The Screwtape Letters is distinctively modern, Lewis’s special form of irony finds its ancient precedent and model in the master of mock-didacticism, Ovid. Not only can the influence of Ovid’s Remedia Amoris be seen in the broad themes contained in The Screwtape Letters, but many of Screwtape’s specific avenues of attack were recommended by Ovid centuries ago.
8. Renascence: Volume > 71 > Issue: 1
W. Brett Wiley George Saunders’s 400-Pound CEO: Goodness or Ideology
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George Saunders, in “The 400-Pound CEO,” displays a theme that appears in many of his stories and that he has talked about in numerous interviews. Jeffrey, the protagonist and narrator of the story, confronts the dissonance that exists between enacting goodness and theological or ideological belief. The story ultimately suggests a Buddhist approach, what Saunders explains as a practical means of “react[ing] accordingly” to life as “that-which-is.”
9. Renascence: Volume > 71 > Issue: 1
Josh Pittman The Most Important Virtue?: The Surprising Recurrence of Temperance in the Pearl Manuscript
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The narrator of the Middle English Cleanness states that God punishes sexual sin more harshly than any other sin. This essay argues that the rest of the BL Cotton Nero A.x manuscript continues to develop the virtue of temperance, which governs sexual behavior, as a central theme. Pearl uses temperance to bring home the dreamer’s sin and God’s justice, while Patience and SGGK employ the interrelation between temperance and fortitude in ways that make temperance foundational. Interrogating the interdependence of the virtues allows the poet to challenge the traditional hierarchy of virtues, in which temperance is the lowest, thus making the case that temperance is paradoxically foundational to other virtues, like justice and fortitude. In this way, the poems not only make a case for the value of temperance, but they also expose ambiguities in orthodox accounts of the virtues.
10. Renascence: Volume > 71 > Issue: 1
Notes on Contributors
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