Cover of Journal of Continental Philosophy
Already a subscriber? - Login here
Not yet a subscriber? - Subscribe here

Displaying: 1-11 of 11 documents

1. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Charles Barbour, Diego Bubbio, Chris Fleming, Alex Ling, Dennis Schmidt Journal of Continental Philosophy—Editorial Statement
view |  rights & permissions | cited by
2. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Chris Fleming, Alex Ling Introduction to the First Issue
view |  rights & permissions | cited by
3. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Simone Weil, Chris Fleming Essay on the Notion of Reading
abstract | view |  rights & permissions | cited by
In this essay, Weil undertakes a meditation on the idea of “reading”, which she thinks can shed new light on a diverse range of conceptual and experiential “mysteries”, especially with respect to our existential responses to the world. A central concern is how we ascribe meaning and respond to phenomena. She argues that, for the most part, our reading of the world and the things in it are immediate, not subject to “interpretation”, at least as this is regularly conceived. Further, Weil says, our readings of the world are invariably tied to particular kinds of valuation, of ethical assessment and orientation, which appear to us as both obvious and immediate. This immediacy of reading, however, does not entail that our readings cannot be changed or challenged—only that such a change or challenge requires a particular kind of labor.
4. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Simone de Beauvoir, Chris Fleming “What Can Literature Do?”
abstract | view |  rights & permissions | cited by
In this article de Beauvoir defends a conception of literature as a kind of unveiling of something that exists outside itself, a mode of action which reveals certain truths about the world. What we call “literature” is eminently capable of grasping the world—a world which de Beauvoir, following Jean-Paul Sartre, conceives of as a “detotalized totality”; one that is real and independent of us, which exists for all, but is only graspable through our own projects and our perspectives. Yet far from keeping us stranded within our unique subjectivities, literature restores to subjective experience its generality; it allows other to “taste” the world as it exists for others. We can communicate through literature because in it our world, our languages, and our projects overlap. Ultimately, for de Beauvoir, literature is what allows us to see the world as others see it—all the while remaining, irreducibly, ourselves.
5. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Michel Foucault, Mark G. E. Kelly Interview with Madeleine Chapsal
abstract | view |  rights & permissions | cited by
In this 1966 interview, published here in English translation for the first time, Michel Foucault positions himself as a representative of a ‘generation’ of French thinkers who turned towards the analysis of ‘structures’ and away from the phenomenological approaches that had previously dominated French philosophy. In this, Foucault claims inspiration not only from older French scholars—namely Georges Dumézil, Jacques Lacan, and Claude Lévi-Strauss—but also from the science of genetics.
6. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Hannah Arendt The Difficulties of Understanding
abstract | view |  rights & permissions | cited by
For the inaugural issue of the Journal of Continental Philosophy the editors have republished this decisive text in the arc of Hannah Arendt’s thought. In this text she orients us towards the totalitarian impulses inherent to modernity as such. Her text is presented in its various iterations, reprinted with permission from The Modern Challenge to Tradition: Fragmente eines Buches (Göttingen: Wallstein Verlag, 2018), volume VI of the Critical Edition of the Complete Works of Hannah Arendt.
7. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Hans-Georg Gadamer, Alexander Crist Pain: Reflections of a Philosopher
abstract | view |  rights & permissions | cited by
In “Pain,” Hans-Georg Gadamer offers several reflections on the experience of pain and its importance for both modern medicine and hermeneutic thought. Having already celebrated his 100th birthday at the time of this lecture, Gadamer speaks of his own experience with polio and the pains of old age, and the influence that his friend and physician, Paul Vogler, had on his approach to the treatment of pain. In the year 2000, Gadamer is concerned with the dominance of technology and chemical “pain management” in the professional medical community, which has largely forgotten the more natural or traditional healing methods in approaching pain and recovery. In light of this, what is crucial for Gadamer is that individuals approach the challenges of pain by taking an active part in their own recovery. For Gadamer, hermeneutics speaks to these encounters with pain and recovery as decisive for human life and understanding.
8. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Gianni Vattimo, Paolo Diego Bubbio Interpreting the World Is Transforming the World
abstract | view |  rights & permissions | cited by
Vattimo argues that the core of Gadamer’s hermeneutics resides in the identification of interpreting with changing the world, and analyzes the ontological turn in hermeneutics in light of such identification. Vattimo advocates for a radical reading of Gadamer’s claim “Being, which can be understood, is language” and maintains that hermeneutics requires a profound revolution in ontology, overcoming the idea of Being as a given object “out there”. In light of the dialogue that Gadamer’s Truth and Method establishes with Heidegger’s Being and Time, Vattimo concludes that hermeneutic ontology has its core in the identification of reality with the history of effects; not as a descriptive proposition, but as the meaning of Being in whose horizon hermeneutics interprets the experience of the world. A coherent philosophy of interpretation, conceived as a call to transform the objective reality of things “out there” into truth, namely into language and project, actually changes the world.
9. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Luigi Pareyson, Daniele Fulvi Latest Developments of Existentialism
abstract | view |  rights & permissions | cited by
In this paper, Pareyson provides an analysis of the existential features of the philosophies of Jaspers and Heidegger, that he considers as the two greatest philosophers of the second half of the twentieth century. In Jaspers, Pareyson identifies the idea that truth is both singular and one, meaning that it can be grasped only through a personal interpretation and never in absolute terms. This implies that truth and person are inseparably tied to each other and that existence carries transcendence in itself: just as truth transcends our personal knowledge of it, Being itself transcends our personal existence. Moreover, Pareyson sees Heidegger as the initiator of an existential ontology that poses a fundamental relation between the human being and Being itself; hence, the philosophical discourse on human existence inevitably turns into a discourse on Being. Therefore, Heidegger finally manages to overcome traditional metaphysics and its forgetfulness of the question of Being itself, by giving such question a central role within philosophical reflection. In conclusion, Pareyson maintains that Jaspers and Heidegger are able to make the voice of Being been heard, in contrast with the humanist and nihilist tendencies of twentieth century philosophy.
10. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Alain Badiou, Alex Ling Hegel, the Arts and Cinema
abstract | view |  rights & permissions | cited by
Alain Badiou embarks on a close reading of Hegel’s Aesthetics to consider how his own recently-developed concept of the “index”—designating the crucial point of mediation between finite works and the absolute (or the means by which “works of art obtain their seal of absoluteness”)—might figure therein, as well as to explore what Hegel would have made of cinema, had he lived to experience it. After first examining the various ways that this “index of absoluteness” functions in the Hegelian conception of art—both according to its canonical forms (sculpture, architecture, painting, music, and poetry including theatre) and its historical classifications (classical, symbolic and romantic)—Badiou proceeds to investigate whether Hegel’s aesthetic system could and should have foreseen the eventual birth of cinema, together with its general characteristics; and whether this new development would ultimately refute or confirm his famous thesis on the end of art.
11. Journal of Continental Philosophy: Volume > 1 > Issue: 1
Dennis Schmidt, Chris Fleming, Diego Bubbio, Anthony Uhlmann, Jennifer Mensch, et. al. College of Fellows Roundtable Transcript: 27 November, 2019
view |  rights & permissions | cited by