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Displaying: 1-20 of 311 documents


1. Film and Philosophy: Volume > 22
Daniel Shaw Editor’s Introduction
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2. Film and Philosophy: Volume > 22
Dan Flory Reflections on What Movies Do Well
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3. Film and Philosophy: Volume > 22
Deborah Knight Film Aesthetics and Appreciation
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4. Film and Philosophy: Volume > 22
David Sorfa Belief in Film: A Defense of False Emotion and Brother Sun, Sister Moon
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5. Film and Philosophy: Volume > 22
Lawrence Benaquist, Sander Lee Medium Specificity in Holocaust-Related Films: A Dialogue
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6. Film and Philosophy: Volume > 22
Thomas Wartenberg Dramatizing Philosophy
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7. Film and Philosophy: Volume > 22
Cynthia Freeland The Creation of Mood in The Elephant Man
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8. Film and Philosophy: Volume > 22
Daniel Shaw Cavell on Skepticism: Redeeming the Law
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9. Film and Philosophy: Volume > 22
Kevin Stoehr Nietzsche and Haneke on Nihilism and Time
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10. Film and Philosophy: Volume > 21
Dan Shaw Editor’s Introduction
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11. Film and Philosophy: Volume > 21
Alessandro Giovannelli The Finale of AI: Artificial Intelligence
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12. Film and Philosophy: Volume > 21
Shai Biderman, Ido Lewit TV’s Fargo and the Philosophy of the Coen Brothers
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13. Film and Philosophy: Volume > 21
Jonathan Kwan Philosophy Through Ambiguity: Readings of Blade Runner
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14. Film and Philosophy: Volume > 21
Richard Nunan Authorial Intent, Alien, and Thomas Wartenberg’s Alleged Necessary Condition for Films to Do Philosophy
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15. Film and Philosophy: Volume > 21
Enrico Terrone Blessed Are the Forgetful: Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind
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16. Film and Philosophy: Volume > 21
Amresh Sinha The Ideology of Inception
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17. Film and Philosophy: Volume > 21
David H. Calhoun Imagined Cosmologies: Nature and the Unveiling of Nature in Malick’s The Tree of Life and Kubrick’s 2001: A Space Odyssey
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18. Film and Philosophy: Volume > 21
Iskra Fileva The Duties of an Artist
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19. Film and Philosophy: Volume > 21
Joseph Kupfer What Movies Teach Us About Teaching: Excellence and Maleficence in The Classroom
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20. Film and Philosophy: Volume > 20
Dan Shaw Editor’s Introduction
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