This essay offers an analysis of Daniel Defoe’s Robinson Crusoe read in concert with Derrida’s treatment of the novel in the second volume of The Beast and the Sovereign. Drawing from Derrida while developing insights of my own, I assemble the elements of a unique account and critique of the logic of human sovereignty. Focusing on a crucial moment in both the novel and in Derrida’s reading of it, I argue the thesis that human sovereignty rests upon a logically prior mastery of both non-human animals and subordinated human beings—a relation of mastery I call the human/animal logic of sovereignty.

There are two concepts of sovereignty in Derrida’s work: the classical form that posits itself as absolute mastery, whether by means of surveillance, technology, or “truth”; and the more paradoxical, subversive form inspired by Nietzsche and Bataille that simultaneously inhabits and exceeds the control mechanisms imposed upon it. One of the questions that I will pursue throughout this essay is whether such a distinction is valid. As there is something immeasurable apropos of Derrida’s second concept, I will contend that any distinction between it and the first concept is not only “undecidable” but ultimately impossible to make.

This essay combines deconstruction (chiefly the later work of Jacques Derrida) and systems theory (both social and biological systems theory) to rethink the question of ecological poetics in the work of Wallace Stevens, and in particular some of his most important poems that focus on birds and bird song. Ecocriticism has typically approached literature in general and poetry in particular in terms of its representation of nature. This essay argues for a non-representationalist ecopoetics that derives from replacing the concept of “nature” with the systems theory concept of “environment” (a term that applies equally to human and non-human forms of life). This theoretical shift allows us, in turn, to better understand the relationship of poetry and poetics to the “worlds” in which humans and non-humans live (to borrow the term that stretches from Jakob von Uexküll to Heidegger and then to Derrida).