Mediaevalia

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Displaying: 41-60 of 650 documents

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theorizing genre
41.	Mediaevalia: Volume > 39 Courtney Joseph Wells Cobbling Together the Lyric Text: Parody, Imitation, and Obscenity in the Old Occitan Cobla Anthologies view \| rights & permissions \| cited by

42.	Mediaevalia: Volume > 39 Francesco Marco Aresu Visual Discourse in Petrarch’s Sestinas view \| rights & permissions \| cited by

43.	Mediaevalia: Volume > 39 Lorenzo Sacchini The Cinquecento Italian Madrigal in Theory and Practice: The Case of Filippo Massini (1559–1618) view \| rights & permissions \| cited by

44.	Mediaevalia: Volume > 39 Giuseppe Gerbino Music of Words and Words in Music: The Sound of Gravità in the Italian Madrigal view \| rights & permissions \| cited by

assembling the songbook
45.	Mediaevalia: Volume > 39 Laura Banella Boccaccio as Anthologist and the Dawn of Editorial Auctoritas view \| rights & permissions \| cited by

46.	Mediaevalia: Volume > 39 Martin Eisner Dante’s Ballata: The Personification of Poetry and the Authority of the Vernacular in the Vita nuova view \| rights & permissions \| cited by

47.	Mediaevalia: Volume > 39 Isabella Magni The Fragmenta’s Timeline: Models for Reconstructing and Interpreting the Text view \| rights & permissions \| cited by

48.	Mediaevalia: Volume > 39 K. Dawn Grapes Italian Artistry, English Innovation: Thomas Watson’s Italian Madrigalls Englished (1590) view \| rights & permissions \| cited by


49.	Mediaevalia: Volume > 38 Dennis Looney Dante Politico: An Introduction view \| rights & permissions \| cited by


50.	Mediaevalia: Volume > 38 Donatella Stocchi-Perucchio Dante Politico: Toward a Mapping of Dante’s Political Thought view \| rights & permissions \| cited by


51.	Mediaevalia: Volume > 38 Rossella Bonfatti Performing Dante or Building the Nation?: The Divina Commedia between Dramaturgy of Exile and Public Festivities view \| rights & permissions \| cited by


52.	Mediaevalia: Volume > 38 Martino Marazzi “Our Brother Dante”: Dantesque Reappropriations in Italian America view \| rights & permissions \| cited by


53.	Mediaevalia: Volume > 38 Elena Borelli Dante in Gabriele D’Annunzio’s Poetry and Prose: From Mystical Lover to Poeta Vate view \| rights & permissions \| cited by


54.	Mediaevalia: Volume > 38 Martin Elsky The Sexcentenary Commemoration of Dante’s Death and the German Re-Confessionalization of Dante: Friedrich Muckermann and der Gral view \| rights & permissions \| cited by


55.	Mediaevalia: Volume > 38 Donatella Stocchi-Perucchio Giovanni Gentile’s Reading of Dante as Prophet of the State in interiore homine view \| rights & permissions \| cited by


56.	Mediaevalia: Volume > 38 Stefano Selenu Reading Dante Impolitically: Gramsci’s Contrapuntal Criticism of Inferno 10 view \| rights & permissions \| cited by


57.	Mediaevalia: Volume > 38 Nicolino Applauso Dante, Berlusconi, and the Bordello State: Paolo Sylos Labini’s and James Walston’s Democratic Dante at the Ebb of the Seconda Repubblica view \| rights & permissions \| cited by


58.	Mediaevalia: Volume > 36/37 Marilynn R. Desmond Medieval Futures: The Center for Medieval and Renaissance Studies, Binghamton University, 1966–2016 view \| rights & permissions \| cited by


59.	Mediaevalia: Volume > 36/37 Helene Scheck Future Perfect: Reading Temporalities at the Royal Women’s Monastery at Chelles, ca. 660–1050 view \| rights & permissions \| cited by


60.	Mediaevalia: Volume > 36/37 Barbara Abou-El-Haj Producing the Route of St. James: The Camino de Santiago in the Nineteenth and Twentieth Centuries view \| rights & permissions \| cited by

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Mediaevalia

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