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Displaying: 41-60 of 311 documents


41. Film and Philosophy: Volume > 18
Dan Shaw Editor’s Introduction
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42. Film and Philosophy: Volume > 18
Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection
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43. Film and Philosophy: Volume > 18
Emma Bell Grief Time: Feeling Philosophy in Inception
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44. Film and Philosophy: Volume > 18
Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
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45. Film and Philosophy: Volume > 18
Alain Beauclair I Have Been And Always Shall Be Your Friend
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46. Film and Philosophy: Volume > 18
Sander Lee The Moral Implications of Gettysburg
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47. Film and Philosophy: Volume > 18
Daniel Wack How Movies Do Philosophy
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48. Film and Philosophy: Volume > 18
C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film?
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49. Film and Philosophy: Volume > 18
Vernon Cisney The Madness of God: The Schizosign in Shutter Island
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50. Film and Philosophy: Volume > 18
Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story
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51. Film and Philosophy: Volume > 18
Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life
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52. Film and Philosophy: Volume > 17
Dan Shaw Editor’s Introduction
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53. Film and Philosophy: Volume > 17
Ian Schnee Ideology, Socratic elenchus, and Inglourious Basterds
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54. Film and Philosophy: Volume > 17
Richard Gilmore The Existential Hitchcock
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55. Film and Philosophy: Volume > 17
Jay R. Elliott The Meaning of Life and the “Pottersville Test”: A Reply to Aaron Smuts
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56. Film and Philosophy: Volume > 17
Aaron Smuts Reply to Elliott: In Defense of the Good Cause Account
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57. Film and Philosophy: Volume > 17
Jay R. Elliott The Last Word on Pottersville
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58. Film and Philosophy: Volume > 17
Jordan Schummer Imagination and Film
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59. Film and Philosophy: Volume > 17
Richard Nunan Gender Tourism in Feature Films: The Case of Transamerica
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60. Film and Philosophy: Volume > 17
Sam Shpall The Men of Talk to Her
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