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81.
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Shannon O. Ambrose
The Theme of Lay Clænnyss in Ælfric’s Letters to Sigeweard, Sigefyrð, and Brother Edward
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82.
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Francis J. Finan
Drama without Performance and Two Old English Anomalies
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83.
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Joshua Easterling
“Look to Your Calling”:
Reclusion and Resistance in Medieval Anchoritic Culture
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84.
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Karl Whittington
Picturing Christ as Surgeon and Patient in British Library MS Sloane 1977
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85.
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Joel Salvatore Pastor
Sodomites are from Mars:
Deconstructing Rhetoric in the Commedia
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86.
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Elena Lombardi
“A Gallehault was the book”:
Francesca da Rimini and the Manesse Minnesanger Manuscript
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87.
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Sarah R. Kyle
Ancestral Memory and Petrarch’s De Remediis utriusque Fortunae in Carrara Padua
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88.
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María Bullón-Fernández
Poverty, Property, and the Self in the Late Middle Ages:
The Case of Chaucer’s Griselda
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89.
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Olga V. Trokhimenko
“The Treasure Above All Treasures”:
Red Mouths, Medieval Fetishes, and the Limits of Modern Interpretation
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90.
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Bennett Gilbert
Johannes Fontana’s Drawing for a Castellus Umbrarum, Udine or Padua, c. 1415–20
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91.
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Olivia Holmes, Dana E. Stewart
Boccaccio at 700: Tales and Afterlives:
An Introduction
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92.
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Charmaine Lee
Boccaccio’s Neapolitan Letter and Multilingualism in Angevin Naples
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93.
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34
Teodolinda Barolini
The Marquis of Saluzzo, or the Griselda Story Before It Was Hijacked:
Calculating Matrimonial Odds in Decameron 10.10
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94.
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Ronald Martinez
Scienze della cittade:
Rhetoric and Politics in the Sixth Day of the Decameron
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95.
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Marco Cursi
Authorial Strategies and Manuscript Tradition:
Boccaccio and the Decameron’s Early Diffusion
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96.
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34
Anne D. Hedeman
Illuminating Boccaccio:
Visual Translation in Early Fifteenth-Century France
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97.
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Roberto Bigazzi
Boccaccio, Ariosto, and the European Novel
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98.
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Victoria Kirkham
The Apocryphal Boccaccio
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99.
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34
Janet Levarie Smarr
Marriage or Politics?:
Dramatizing Griselda
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100.
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Volume >
34
F. Regina Psaki
“Alcuna paroletta piú liberale”:
Contemporary Women Authors Address the Decameron’s Obscenity
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