In these reflections, we want to prove a thesis whereby normativity of rules and norms may be linked to the domain of artefacts which we understand as social things. We claim that some norms and rules are situated in human socio-material ecosystems especially when it comes to the role played by affordances. The thesis advanced in this article will also enable us to indicate one of the potential interpretations of Wittgenstein’s ‘forms of life’ concept, demonstrating that some solutions suggested by the author of Philosophical Investigations are still relevant today. We will relate the issue of the normativity of artefacts to the problem of rule recognition which Wittgenstein also raises in some of his later studies. We will demonstrate that the problem of normativity recognition is linked to (1) relational properties of objects, that is affordances; (2) structured nature of the world of human communities; and (3) the ability to recognise affordances related to the ability to create predictions about future states of affairs. The analyses presented herein will show that it is possible to link the perspectives of cognitive ecology, design practice and philosophical analyses focused on the problem of normativity.

Cognitive technology is an increasingly important form of technology that can deal with meaning by either replicating or simulating human cognition. Cognitive technology can make use of information technology, but it strives to go beyond mere information processing by recognizing, changing, and creating meaning. This presents us with a two-sided challenge: On the one hand, cognitive technology is challenged to ‘understand’ meaning in ordinary language. And on the other, it challenges us to rethink fundamental questions of human cognition and sense-making. Both challenges demand a better understanding of the difference between the technical transformation of symbols and the understanding of meaning in the ordinary sense. After explaining the topic in relation to both the insights and the limitations of the reflections by Turing, Searle, and Heidegger, this paper primarily builds on Wittgenstein’s contributions to a better understanding of the difference between two conceptions of meaning and their implications for technical replication and simulation. The paper shows that Wittgenstein developed his early calculus account of meaning into that of language games and that language games not only come in many different varieties, but are also much more flexible than calculi. Of particular interest will be the difference between rigid and creative rule-following. Creative rule-following involves an intricate interplay of very different bodily, mental, and cultural constituents, so that its simulation is not merely a technical problem but also requires clarification of a number of profound philosophical questions. It will become clear that the challenge of cognitive technology shows up at unexpected places and that is much bigger than usually assumed.

This article provides a survey of Wittgenstein’s remarks in which he discusses various kinds of technology. I argue that throughout his career, his use of technological examples displays a thematic unity: technologies are invoked in order to illustrate a certain mechanical conception of the mind. I trace how his use of such examples evolved as his views on the mind and on meaning changed. I also discuss an important and somewhat radical anti-mechanistic strain in his later thought and suggest that Wittgenstein’s attitude to mechanistic explanations in psychology was ultimately quite ambivalent.

This paper shall concern itself with two variants of instrumental realism that have developed independently of each other and have made a mark on contemporary philosophies of science as well as of technology in their own respective ways. One is that of Don Ihde, the progenitor of the postphenomenological approach to technoscience, and the other that of Davis Baird, who emphasizes the epistemic centrality of instruments as bearers of knowledge in themselves. I shall juxtapose Ihde’s instrumental realism with the instrumental realism of Baird, both of whom emphasize the importance of experimentation and instrumentation to any comprehensive philosophy of science. Whereas Ihde wants to extend hermeneutics to science praxis, Baird wants to maintain an epistemological commitment to what he calls ‘thing knowledge.’ In comparing and contrasting these two variants of instrumental realism, I shall discern the implicit ontological and epistemological claims that underlie the two realisms in the background of scientific realism and critically evaluate their contributions to a more comprehensive understanding of science, technology, and the relation between the two.

The paper focuses on Albert Borgmann’s philosophy of technology. We argue in support of Borgmann’s “Churchill principle” (“we shape our buildings, and afterwards they shape us”) as presented in Real American Ethics (RAE) (2006) by comparing it to findings within behavioral economics in general and to the “libertarian paternalism” of Cass R. Sunstein and Richard H. Thaler in particular. According to our interpretation of it, the Churchill principle implies that because our material environment in fact influences our choices, this environment can and should be rearranged so that we “automatically” will tend to make better decisions. Having defended the Churchill principle, we go on to discuss how this principle is related to Borgmann’s approach in Technology and the Character of Contemporary Life (TCCL) (1984). In this earlier work, Borgmann suggests we reform technology by making room for focal practices, that is, meaningful practices in which we develop our skills and excellences. We argue that while these two works have different basic approaches—rearranging the material environment in RAE and developing certain skills and excellences in TCCL—they can and ought to be seen, not as mutually excluding, but as supplementing one another. Together they form a highly salient critique of technology that takes into consideration questions of the good life without becoming overly paternalistic.

This article considers the medical drug as a technological object, in order to determine what philosophy of technology can bring to the study of pharmaceuticals and what the study of medical drugs can bring to the philosophy of technology. This approach will allow us to locate the differences between the medical drug and other objects that usually form the focus for studies in the philosophy of technology, and to discuss the problematic fit of the models proposed in the field to pharmaceuticals. After reflecting on the origins of this problem in both the philosophy of pharmacy and the philosophy of technology, I propose an examination of medical drugs using an analytical schema developed by Andrew Feenberg. I expose several shortcomings of this ‘post-phenomenological’ philosophy of technology applied to medical drugs. Despite the various problems identified, I nevertheless argue that the philosophy of technology is useful for thinking about medical drugs, particularly because of the emphasis it places on the social and political dimensions of technology. In conclusion, I argue in favour of a more open, eclectic philosophical engagement with medical drugs that puts more emphasis on their economic, social and political dimensions.

The Half-Causation Method is a metaphysical-epistemic model for developing industrialised technological inventions. It consists of five phases of reasoning through which methodological success is achieved. The Method is named after its first phase, which consists of a methodological idealisation of the causal process, by pinpointing half of a possible causal relation while ignoring everything else. Following this, the Method prescribes how the reasoning should proceed, which ultimately constructs a complete and novel causal process. Each phase terminates with an epistemic justification which the inventor (or inventors) can share with other knowers and have them deliberated and scrutinised. As such, the entire process of developing industrialised technological inventions, including the early stages which are traditionally regarded as mysterious can be understood as a sequence of epistemic justifications. In this paper, the Half-Causation Method is presented as a detailed practical prescription for future projects which aim to develop industrialised technological inventions. Throughout the paper two case studies from the recent history of technology are used as exemplars, namely: the invention of the microwave oven and the invention of the centrifugal vacuum cleaner. First, a definition of the ‘technological invention’ is proposed. Following that, the prescription is presented as fifteen methodological instructions: three instructions that repeat at each phase. The prescription is supplemented by a set-theoretic diagram. Although this is a philosophy paper, it is spoken directly to the scientists and engineers who aim to direct part of their research towards the development of inventions.

Using a postphenomenological approach, this article follows the history of email from its first development by and for the scientific community, through its commercialization, and into its modern-day integration with mobile devices. Five historical variations are identified: emergence, propagation, habituation and commercialization, supersaturation, and evanescence. Finally, I propose a model that describes not only the evolution of email, but potentially other digital communications tools. Studying the history of a technology can provide insight into both its past and contemporary applications, and may prompt more thoughtful use.

Wind turbines have been used by many groups of humans for many centuries. Wind turbines have allowed groups of humans to perform many different tasks in the past (grinding grain, pumping water, etc.). However, only a century and a half ago, they began to be used to convert the energy captured from wind into electric energy. Moreover, only approximately twenty-five years ago, we started to introduce on a massive scale the energy generated from wind turbines into the electric networks of most developed countries in the world for regular consumption. According to 2017 statistics, approximately 12 percent of the electric energy consumed in the EU is produced by wind turbines. Despite the fact that wind turbines generally appear quite similar externally—i.e., a three-blade structure, a nacelle, a tower, etc.—if we carefully examine the electric technology used within them, we find quite a wide range of technologies for energy conversion, which is a key issue in wind turbine technology. Hence, this paper adopts a dialectic perspective towards analyzing and understanding why several electric technologies coexist in wind turbine technology. We explain the specific factors that have influenced different wind turbine manufacturers to adopt different electric technologies across the last twenty-five years. We show how their actions and the technological directions that have followed have been mutually codetermined, resulting in a technological evolution that has produced today’s wind turbine variety.

This paper draws on the notion of the ‘project,’ as developed in the existential philosophy of Heidegger and Sartre, to articulate an understanding of the existential structure of engagement with virtual worlds. By this philosophical understanding, the individual’s orientation towards a project structures a mechanism of self-determination, meaning that the project is understood essentially as the project to make oneself into a certain kind of being. Drawing on existing research from an existential-philosophical perspective on subjectivity in digital game environments, the notion of a ‘virtual subjectivity’ is proposed to refer to the subjective sense of being-in-the-virtual-world. The paper proposes an understanding of virtual subjectivity as standing in a nested relation to the individual’s subjectivity in the actual world, and argues that it is this relation that allows virtual world experience to gain significance in the light of the individual’s projectual existence. The arguments advanced in this paper pave the way for a comprehensive understanding of the transformative, self-transformative, and therapeutic possibilities and advantages afforded by virtual worlds.

Driverless automobility presents a “technological sublime” (Marx 1964; Nye 1994, 1997) encompassing both promises and perils. The light side of the emerging transportation future lies, for instance, in the newly gained freedom from driving. The dark side of this sublime includes ethical challenges and potential harm resulting from the required socio-technical transformations of mobility. This article explores contemporary visions for the self-driving car future through the lens of the sublime and some of its theoretical variations, such as the natural (Kant 1965), technological (Marx 1964; Nye 1994, 1997), electrical (Carey and Quirk 1989), and digital (Mosco 2005) sublime. Nissan’s IDS Concept preview clip (2015) and the Chevrolet FNR trailer (2015) serve as examples for this analysis, which aims to demythologize the visual rhetoric of the depicted awe-inspiring self-driving systems. The sublime’s inherent dialectic of inducing both pleasure and displeasure is removed in the corporate utopian visions in favor of an exalting partnership between human and machine. This strategy succeeds by setting the mobility future in the context of controlled parameters such as the trustworthy communicative vehicle, the vital and independent protagonists, and the harmless and unharmed environment. Recognizing such recurring strategies and identifying the controlled parameters which allow the sublime object to electrify, not terrify, is key for a sensible engagement with such imagined futures and their social, cultural, political, economic, environmental, and ethical implications. Such premediations (Grusin 2010) of awe-inspiring technological formations and the underlying logics ask to be unpacked toward decision making that considers all potential facets of the sublime future.

In the past couple of decades, there has been a tendency to identify the study of artefacts as one of the central subject matters of philosophy of technology. This subject identification relies on a metaphysical distinction between artefacts and non-artefacts, and is supported by the premise that artefacts are philosophically significant in ways that non-artefacts are not. Here it is argued that if we want philosophy of technology to be practically useful, the artefact/non-artefact distinction is a misleading place to start, as this distinction is developed through a metaphysical approach which is of little use for practical decisions and evaluations. Instead, we need to adopt a different metaphysical approach which is practically useful. This alternative approach is called activity realism, as opposed to entity realism in light of which artefacts are defined. Activity realism provides a metaphysical foundation for a practically useful philosophy of technology.

My argument in this paper is given in two parts. In Part I, I review the ancient understanding of aporia, focusing on works by Plato and Aristotle. I illustrate two ways of understanding aporia: “cathartic” and “zetetic.” Cathartic aporia refers to the experience of being purged of hubris and ignorance through the dialectic. Zetetic aporia, on the other hand, requires us to engage in, recognize, and work through certain philosophical puzzles or problems. In Part II, I discuss the idea of Big Data and then argue that in the “age of answers” neither conception of aporia appears to be necessarily cultivated by the average Internet user. Our experience of wonder suffers when we rely so heavily on the Internet as a “surrogate expert,” and when our social media use betrays the fact that we always seem to gravitate towards the like-minded.

This study examines mainly two subjects: “Why do we accelerate?” and “How does acceleration become autopoietic?” The answers to these questions may be derived from technical, social, or psychological approaches. However, they provide only an incomplete picture if a perspective from the philosophy of technology is not considered alongside. In addition to offering different viewpoints on the essence of technology, technics, or technē, this study will focus on the notion of distance as a key to answering the above questions. Conventionally, people usually understand that technology distances humans from nature. However, what does that mean? First of all, the idea of “nature” considered in this research refers to a distinction of non-nature/nature. A distinction implies a distance between both sides. Technology belongs to the side of non-nature, and creates a distance with the other side. The distance is getting enlarged when humans depend heavily on technology to reconnect humans to nature. In shortening or overcoming the distance, acceleration becomes autopoietic and leads to a paradox that can be unfolded only through accelerating more. In this study, technology is considered as a system functioning as simplification to create and to overcome alternately a distance with its environment, including nature. Through which technology not only acquires a tendency of acceleration, but also self-produces it. The development of writing tools from knots to tactile technology is investigated to provide a better understanding of the phenomenon of acceleration and its impact on humans and the world. In the end, it may be possible to think of a general theory of how acceleration becomes autopoietic.

This article examines how the interactive capabilities of companion robots, particularly their materiality and animate movements, appeal to human users and generate an image of aliveness. Building on Husserl’s phenomenological notion of a ‘double body’ and theories of emotions as affective responses, we develop a new understanding of the robots’ simulated aliveness. Analyzing empirical findings of a field study on the use of the robot Zora in care homes for older people, we suggest that the aliveness of companion robots is the result of a combination of four aspects: 1) material ingredients, 2) morphology, 3) animate movements guided by software programs and human operators as in Wizard of Oz-settings and 4) anthropomorphising narratives created by their users to support the robot’s performance. We suggest that narratives on affective states, such as, sleepiness or becoming frightened attached to the robot trigger users’ empathic feelings, caring and tenderness toward the robot.

In this article, I address the question whether or not robots should be social actors and suggest that we do not have much choice but to construe collaborative robots as social actors. Social cues, including emotional displays, serve coordination functions in human interaction and therefore have to be used, even by robots, in order for long-term collaboration to succeed. While robots lack the experiential basis of emotional display, also in human interaction much emotional expression is part of conventional social practice; if robots are to participate in such social practices, they need to produce such signals as well. I conclude that if we aim to share our social spaces with robots, they better be social actors, which may even include the display of emotions. This finding is of empirical as well as philosophical relevance because it shifts the ethical discussion away from the question, how social collaborative robots should be, to the question, what kinds of human-robot collaborations we want.