61.
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Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Bruce Russell
The Philosophical Limits of Film
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62.
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Film and Philosophy:
Volume >
7
Anat Pick
"No Callous Shell":
The Fate of Selfhood from Walt Whitman to Todd Haynes
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63.
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Film and Philosophy:
Volume >
7
Daniel Shaw
Editor's Introduction
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64.
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Film and Philosophy:
Volume >
7
Ronald Lindsay
Sensible and Desperate Knaves in The Way Of the Gun
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65.
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Film and Philosophy:
Volume >
7
Robert Clewis
Heideggerean Wonder in Terence Malick's The Thin Red Line
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66.
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Film and Philosophy:
Volume >
7
Nathan Abrams
'Are You Still You?':
Memory, Identity and Self-Positioning in Total Recall
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67.
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Film and Philosophy:
Volume >
7
David Brottman
A Gnostic Matrix for the Masses:
A Conspired Space Of Metaphysical Totality
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68.
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Film and Philosophy:
Volume >
7
Kevin Taylor Anderson
Finding the Essential:
A Phenomenological Look at Hal Hartley's No Such Thing
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69.
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Film and Philosophy:
Volume >
7
Eugene Arva
Life as Show Time:
Aesthetic Images and Ideological Spectacles
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70.
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Film and Philosophy:
Volume >
7
Jerold J. Abrams
Cinema and the Aesthetics of the Dynamical Sublime:
Kant, Deleuze, Heidegger and the Architecture of Film
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71.
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Film and Philosophy:
Volume >
7
Nathan Wolfson
PoMo Desire?: Authorship and Agency in Wim Wenders Wings of Desire iDer Himmel über Berlin)
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72.
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Film and Philosophy:
Volume >
9
Nathan Andersen
Is Film the Alien Other to Philosophy?:
Philosophy as Film in Mulhall's On Film
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73.
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Film and Philosophy:
Volume >
9
Julian Baggini
Alien Ways of Thinking
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74.
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Film and Philosophy:
Volume >
9
Jonathan Hiers
A Common Ground Between Science and Religion:
A Comparison of Contact and The Varieties of Religious Experience
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75.
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Film and Philosophy:
Volume >
9
Stephen Mulhall
Ways of Thinking:
A Response to Andersen and Baggini
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76.
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Film and Philosophy:
Volume >
9
Laura Werner
The Dilemma of Artificial Love:
The Ethics of Love and Recognition in A..I.-Artificial Intelligence
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77.
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Film and Philosophy:
Volume >
9
Alfred Drake
Burgess, Kubrick, and the Enlightenment Narrative of Progress
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78.
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Film and Philosophy:
Volume >
9
Dan Shaw
Editor's Introduction
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79.
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Film and Philosophy:
Volume >
9
Dan Shaw
Kubrick Contra Nihilism:
A Clockwork Orange
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80.
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Film and Philosophy:
Volume >
9
Iddo Landau
The Dialectic of Authenticity and Inauthenticity in Jesus of Montreal
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