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321.
|
Renascence:
Volume >
23 >
Issue: 1
Gerald Levin
The Rhetoric of Greene's The Heart of the Matter
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322.
|
Renascence:
Volume >
23 >
Issue: 1
Sister Sheila Houle, B. V. M.
The Subjective Theological Vision of Graham Greene
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323.
|
Renascence:
Volume >
23 >
Issue: 1
David L. Kubal
Graham Greene's Brighton Rock:
the Political Theme
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324.
|
Renascence:
Volume >
23 >
Issue: 1
John R. May, S.J.
Images of Apocalypse in the Black Novel
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325.
|
Renascence:
Volume >
23 >
Issue: 2
L.-A. Maugendre
Le Symbolisme d'Eusebe de Bremond d'Ars
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326.
|
Renascence:
Volume >
23 >
Issue: 2
Mary Jane Gerhart, O.S.F.
The Purpose of Meaninglessness in Robbe-Grillet
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327.
|
Renascence:
Volume >
23 >
Issue: 2
L.-A. Maugendre, Spire Pitou
The Symbolism of Eusebe de Bremond d'Ars
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328.
|
Renascence:
Volume >
23 >
Issue: 2
Hélène L. Webner
E. M. Forster's Divine Comedy
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329.
|
Renascence:
Volume >
23 >
Issue: 3
Marlene Springer
Emily Dickinson's Humorous Road to Heaven
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330.
|
Renascence:
Volume >
23 >
Issue: 3
Alfred Cismaru
Les Viaducs de la Seine-et-Oise:
Duras' Dramatic Debut
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331.
|
Renascence:
Volume >
23 >
Issue: 3
Harold M. Petitpas
Chesterton's Metapoetics
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332.
|
Renascence:
Volume >
23 >
Issue: 3
John Ower
Pattern and Value in "Sweeney among the Nightingales"
|
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333.
|
Renascence:
Volume >
23 >
Issue: 3
Rictor Norton
Folklore and Myth in Who's Afraid of Virginia Woolf?
|
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334.
|
Renascence:
Volume >
23 >
Issue: 3
Gordon E. Slethaug
Seymour: A Clarification
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335.
|
Renascence:
Volume >
23 >
Issue: 4
Clifford Davidson
Yeats:
The Active and Contemplative Modes of Life
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336.
|
Renascence:
Volume >
23 >
Issue: 4
Doris Grumbach
Christianity and Black Writers
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337.
|
Renascence:
Volume >
23 >
Issue: 4
Angela G. Dorenkamp
Time and Sacrament in The Anathemata
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338.
|
Renascence:
Volume >
23 >
Issue: 4
William P. Peirce
The Structural Unity of "Spelt from Sibyl's Leaves"
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339.
|
Renascence:
Volume >
23 >
Issue: 4
Thomas Allen Nelson
Theme and Structure in Catch-22
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340.
|
Renascence:
Volume >
24 >
Issue: 1
Sister Mary Zoghby, R.S.M.
The Cosmic Christ in Hopkins, Teilhard, and Scotus
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