In the context of today.s moral and ecological crisis, and the accelerated advance of information and communication technologies, when human beings intensively experience their own fragility, a major question is that of well-being. That raises the issue of moral health, which represents, in an axiological and normative sense, a basis for the human being to find proper opportunities for remaking and protecting the beingness' equilibrium in face of a variety of risks in a society of excesses. We consider that a significant element of moral health lies in the old Greek value of sophrosýne. In this essay, we highlight its meaning and role. We do this by reviving the core of a wise learning coming from Ancient philosophy about one of the moral excellences. Sophrosýne is approached as a necessary factor in human well-being; it is pursued in the prophylactic and therapeutic potential for the maintenance of human health; finally, it is developed inits fundamental action of allowing happiness in a well-functioning and self-fulfilling life of the human being.

The essay hypothesizes a norm condition of stasis—the mood of sentient peace occupied on a quiet porch. From there the psyche is drawn upward by concept, into the benign/abstract world or downward into the pre-verbal which links us with prespeech man/woman. Is there any default position in this map of the positions of consciousness?

Africa’s widespread problems are well publicized and none receives more attention than that of periodic outbreaks of ethnic violence. Past events in Rwanda, and in the ongoing conflict in Darfur-Sudan, linger in the memory while the outbreak of postelection violence in Kenya is a more recent example of the seemingly endless capacity of Africa to generate ethnic unrest. The problems of Africa have become the subject of intense philosophical debate and reflection in an effort to find a just and sustainable future for the continent. This contribution to the ongoing debate will argue that the root cause of ethnic violence (and indeed many of Africa’s other problems) is a lack of subjectivity and that the insights of Søren Kierkegaard, with regard to the role of subjectivity in intersubjective relations, will not only give us a perspective on the origins of these problems, but through education, offer a way forward to a more optimistic future.

Architecture culture is the synthesis of material possession and spiritual wealth, created by human society history development and reflects historic continuity and nationality character. This paper has a comprehensive comparison analysis on distinctions of originality, architecture characteristic, developing logic, art forms, and intention between China and Western Countries exhibited on architectural culture, including three parts: ancient period, current period, and future development. Through comparison studies, it presents a comprehensive cognition on different cultural backgrounds and unique exhibition forms for different architectural styles on China and Western Countries; have a deeper understanding on architectural culture communion in two different civilization zones; and find a future developing way with ethical features and spirit for Chinese and Western architecture.

In the following lines the symbolic oppression founded on binary hierarchies that exist inside the framework of the European Convention for the Protection of Human Rights and Basic Freedoms will be presented. In those binary oppositions opposed terms are not equally valued. One of these terms is dominant, while the other is subordinated and mostly defined only as the first term’s other. This symbolic oppression creates various forms of discrimination. This paper argues that this problem can be resolved by deliberative democracy. Effective deliberation leads to more informed public sphere which is capable to embrace otherness and diversity.

William Whewell is usually portraied as an anti-Hegelian. This article shows that, despite his criticism for Hegel’s philosophical system, Whewell was influenced by the Hegelian “historical” approach in the Lectures on the History of Philosophy, and by the conception of the progressive development of though (philosophy for Hegel, science for Whewell) as a dialectical unity.

This paper explores the implications of mass migration and the conditions of hybridization for early 21st century Western societies in texts dealing with migrantexperiences. The novel Goodbye Lucille (2007) by the Afro-cosmopolitan writer Segun Afolabi will be explored with respect to the crucial problem of an ethics and politics of belonging, related to the recent controversies surrounding multiculturalism and issues of migration. This text deals with the “in-between world” of migrants and negotiates questions of identity, alienation and belonging in a so-called transcultural/transnational context. The issues raised in Segun Afolabi's fiction are addressed by employing the ways of thinking developed in political philosophy, including recent phenomenological attempts to theorize the notion of “home” and “belonging” (e.g., by Karen Joisten, but also Martin Heidegger) in order to deal with the complexities of the issue. The question, “What constitutes the good life for the individual and the political community?”, needs to be considered by taking into account the current plurality of approaches to forging identitiesin the political sphere as well. The subtlety of literary accounts of this phenomenon – literature may indeed be one of the best diagnostic instrument for studying a society – sheds light, I suggest, on the conditions of politically relevant identity formations. A close reading of literary texts such as those by Afolabi offers an important contribution to a realistic, and therefore complex and complicating, account of our overall situation in the Western world with respect to the politics of belonging.

This article suggests an evaluation of the way by which European Culture understands the idea of rationality of the world. We pursue the consequences of the fact that in this cultural tradition the world is seen as a rational and unitary reality, which exists for the human dialogue as a condition for man’s spiritual growth. We also point out the implications of the affirmation according to which the rationality of the world has multiple virtualities, but its malleability and contingence are brought to the light and put in acts by man, the one who uses these dimensions. We evaluate the importance of these theses from today’s necessity to expand the scientific paradigm of describing the reality, when it is clearly necessary to overcome the classic subject-object duality.

This paper is concerned with the ′criterion of demarcation′ that Karl Popper put forward, while trying to show that it can be safely said that it is still standing. In doing so, I turn to two main objections to it: a Lakatos-Kuhn vision on the growth of science, and the famous Quine-Duhem thesis. The point that I hopefully made here is that the basic message of this prescriptive method is as respectful as ever, and, although not the subject of this paper, for special emerging fields of knowledge, such us urbanism – my main field of interest, falsifiability can offer the right scientific attitude.

An extremely profound knower of the history of the Romanian people and of humankind as a whole, Vasile Goldiş brought an original contribution to the development of philosophy of history. In this respect, without having attempted to write a treatise or to work out a systematic body of work in the field, he discovered objective grounds or “natural laws” determining the evolution lines for historical events, analyzed the relation between trends in lawmaking and the unifying force of spiritual values, expressed his persuasion regarding historical progress, the need for solidarity among people and peoples until humanity would reach a planetary organization of society, a world state capable of securing universal peace, based on the precept of Christian love and succeeding in bringing the human soul and the divine absoluteness together.

The article aims to support the notion of philosophy emerging from culture; a notion that paves the way for the emergence of ubuntu as a philosophy from an African culture. Understanding this emergence is vital in the manner a particular human community relates with itself and other communities worldwide. Moreover, the idea of ubuntu has become a philosophy that is in dialogue with culture. Hence, from the writer’s punto de vista, this stance further strengthens the argument affirming the value of African culture from which African philosophy has certainly emerged.

While critically examining the techno-scientific thrust that props the discourse of sustainability, this paper argues for the inclusion of the humanities and the imaginative counterworlds and complex ontological perspectives that literature offers. As Donna Haraway proposes, “we need stories (and theories) that are just big enough to gather up the complexities and keep the edges open and greedy for surprising new and old connections” (2015: 160). The Indian graphic novel Bhimayana and the artisanal aesthetic of the tribal artists is read for the ways in which it mediates current debates on the posthuman, offering the possibility of intimate affirmative relationalities that could create sustainable futures

Environmentality teases out the multilayered human-environment contacts and connections in terms of human agency and governmentality, ecological objects and their (in)dependence, power/knowledge and environmental (in)justice. “Sustainable Development Goals” recognize that ending poverty and other deprivations must go hand-in-hand with strategies that improve health and education, reduce inequality, and spur economic growth – all while tackling climate change and working to preserve our environment. This paper outlines the scopes, scales, and methods of Chinese storytelling and multimedia exhibitions on deforestation and afforestation, pollution and purification, and wastelands and eco-systems in industrial, de-industrial, and post-industrial times. The author considers short stories, novellas, novels, reportages, nonfiction writings, and visual artworks, with specific focus on trees, forests, and plant writing. By reading Kong Jiesheng’s “Forest Primeval,” Ah Cheng’s “King of Trees,” Xu Gang’s Loggers, Wake Up!, Yan Lianke’s Garden No. 711: The Ultimate Last Memo of Beijing, and Chen Yingsong’s The Forest Is Silent, the author aims to bring to light the awakening and formation of Chinese ecological consciousness, the token of marred humanity and ecocritical reflection, the manifestation of biophilia-biophobia experiences, as well as the structural transformation of private feelings and public emotions in modern and contemporary China.

This paper reveals the importance of stories associated to specific objects. The study argues that storytelling can infuse life and meaning into insignificant things. From a semiotic point of view, material objects become signs linked to particular people, experiences, desires, values, thus creating strong emotional bonds with the landscapes part of human daily routines. Beyond fetishism or consumerism, these significant objects could serve the purpose of eco-critical awareness. Through the lenses of a micro-narrative by British novelist Tom McCarthy, attached to the insignificant object of a “Mermaid figurine”, the paper explores the ecology of little things in order to draw attention to sustainability concerns .

Whereas mainstream theories of environmental art and sustainable development consider art as a domain suitable for the application of environmentally friendly procedures, such as the circular economy, trash management and digitization, this research article focuses on the internal development of the autopoetic and self-referential art machine, which generates an art-specific sustainability. The circular environmental economy coexists with the circular art economy, which implies changes in the aesthetics and poetics of the artwork; it deploys upcycling to use art trash in creating a new, higher value object. Art-specific sustainability contributes to the power and complexity of the art machine with new conceptual interventions and devices. These devices allow art to resist threats from other fields and to redefine itself. As sustainable development agendas of international organizations take into account the social, political, and economic initiatives that promote ethics, inclusion, and tolerance, this article discusses the contributions of contemporary environmental art to expanded concepts of the political and science. In particular, art activism, in cooperation with civil society, can be an important driver in areas that parliamentary politics overlooks.

This paper emphasizes the crucial role that language use plays in climate change communication. In particular, this paper examines UN public discourse and narratives about climate change. It will be shown that the climate change is often described as a "threat to human wellbeing" and as an external enemy—the Other. On the other hand, humanity is often portrayed as a victim of climate change. The consequence of this rhetoric and logic of apocalypse is insufficient action in relation to climate change. The narrative construction of the Other that is described as a threat is founded on binary oppositions: we/they, self/other, culture/nature, human/non-human and so forth. As long as climate change is described as an external enemy and "independent matter" and climate policy is based on binary oppositions, action to combat climate change will remain insufficient.

Many environmental ills derive from humanity’s unsustainable fondness for meat, a fondness that often pushes (and sometimes breaks) environmental limits and reveals unsustainable patriarchal ideologies. Han Kang’s The Vegetarian and Ang Li’s The Butcher’s Wife each, in very different ways, expose the strands of “meat and gender” enmeshments in Korea and Taiwan respectively, showing the mutual interdependence of carnivorism and patriarchal power. So deeply rooted are the entangled strands of carnivorism and sexism that contesting them (either together or apart) means dismantling the very definition of human corporeality: in The Vegetarian, this means that a woman becomes a plant; in The Butcher’s Wife, it means that a man becomes the very cattle he has spent his life slaughtering; in both, questioning meat is a very dangerous challenge that comes from a woman through a narrative perspective that is clearly feminist. Both novels plainly show deep analogies and correspondences between domestic violence and violence against animals, and yet, in both, there is a taut relationship between vegetable-based histories and a more meat-based modernity. This article argues firstly that the violence of meat-eating in The Vegetarian and The Butcher’s Wife is both physical and psychological. Dreams and madness are involved. Normalcy is male, deviance female. Order is meat, chaos vegetal. And the threat of death will either be fully realized or will hang menacingly in the air. Secondly, this article argues that the novels importantly show that breaking points (psychological and environmental) are often utterly unpredictable and that once breached, the results can also be devastatingly unpredictable.