Analysing conflict from a logical perspective involves the exploration of concepts such as dualism and dialectics. In exploring the ontological determinants- identity and negation - it becomes evident that identity is a process and its essential component is negation. Dualism and the law of contradiction providethe framework that perceives reality as consisting of two irreducible elements or modes. It divides an entity into its extremities by denying its unity and creates aninsurmountable gap preventing the disparate components, principles or thoughts f r om being harmonized. In other words reality is determined by polarization, i.e. good-evil, true-false, right-wrong. I am suggesting that using the logic of dualism as a method to approach conflict will necessarily be one-sided. It seems to be the case that a dialectical understanding of reality provides the means for dealing with negation in a non-existential manner, that is to say it opens the sphere of dialogue. A principle that recognizes reality as contradictory establishes an identity that holds in itself negation and affirmation as distinguished entities that claim successfully their existence as components of a unity. Hence within contradiction the perspective of both being and non-being is explored thereby providing the ideal starting point for conflict resolution.

This article sets out to establish links between the main concepts of Aristotle's poetics and literary theory, with a view to illuminating some aspects of Aristotle's ethics and also of general ethical theory. We highlight topics such as weak universals (Halliwell), frame-making and free indirect discourse, that seem to us to establish a link between poetics and moral philosophy.

The paper focuses on the rivalry between philosophical excellence and Olympic prestige. Plato has philosophers quarrel not only with poets but also with Olympic victors. Epictetus will follow suit. Not sharing Plato's notion of philosophical excellence, Epictetus' Stoic sage rivals not only the Olympic athletes but classical philosophy itself.

This paper's aim is to study the Greek simile of the ship of state, since it was born in the Lyric Poetry until its definitive drawing by Plato's hands. It describes the image of Paros' ship, by Archilochus, or the ship of city by Alcaeus and by Theognis. Analyzes how this image improves through the tragedies of Aeschylus and Sophocles, and their moral comprehension of it. And, at last, explains the excellence achieved as the central image on Plato's politic project.

Law, like language, is the product of social evolution, embodied in custom. The conditions for the emergence of law—embodiment, scarcity, rationality, relatedness and plurality—are outlined, and the context for the emergence of law—dispute resolution—is analysed. Adjudication procedures, rules and enforcementmechanisms, the elements of law, emerge from this context. The characteristics of such a customarily evolved law are its severely limited scope, its negativity, andits horizontality. It is suggested that a legal system (or legal systems) based on the principles of archaic law could answer the needs of social order without permitting the paternalistic interferences with liberty characteristic of contemporary legal systems.

Our purpose in this paper is to bring about a new meaning of the term λόγοϛ used in the fragments of Heraclitus' work. In ancient Greek literature this term hasmany different meanings. We are going to restrict our interest in those meanings that Heraclitus used in his fragments, where the term λόγοϛ appears ten times.

In his theory of perception Aristotle is committed to the principle that there is a one-to-one correspondence between a sensible quality, the modification of a sense organ by that quality, and the content of the perceptual experience of it. But on the basis of this principle, simultaneous perceptions of different sensible qualities give rise only to distinct perceptual contents. This generates the problem of how we become aware of complex perceptual content, e.g. in discerning red from cold. This paper examines the alternative (although not equally explanatorily powerful) models that Aristotle offers in the De Anima and in his biological works to account for complex perceptual content.

Even though Heimarmene is the natural order of things, as it is claimed in the Laws; and although the human being has to participate in that order, as it is written in Timaeus; Plato, at times, tends to be willing to rupture that circle of necessity, that the "naturality" of Heimarmene enforces on man, by finding a potential escape. The human soul is the unambiguous vehicle of this effort. In the writings of the Stoic Seneca, the transcendence of Fate is a matter correlated with the human life and with moral responsibility. His philosophical aim is focused on overcoming the existential conditions which render man a subjugated as well as a non eudaimonistic being. In both philosophers we diagnose a common theoretical orientation: to break through the limitations that Fate imposes on man's freedom in the material world. Certainly there is a difference in the degree, frequency and depth that this is critically established in their thought. In our paper, we mean to: a) ascertain this, b) examine the role of the soul, and c) to recognize the ground where "Paideia" may initiate the transcendence of Fate by human means solely.