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Displaying: 101-120 of 321 documents

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101. Film and Philosophy: Volume > 17
Shawn Loht Film as Heideggerian Art?: A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
102. Film and Philosophy: Volume > 17
Thorsten Botz-Bornstein “Film Thinks!” What about Dreams?: A Reading of Daniel Frampton’s Filmosophy
103. Film and Philosophy: Volume > 17
Nathan Carson Transformation in the Wasteland?: Remembrance, Naming and Charitable Action in The Road
104. Film and Philosophy: Volume > 17
John McAteer The Problem of the Father’s Love in The Tree of Life and The Book of Job
105. Film and Philosophy: Volume > 17
Rick Fox Dialectic Architecture: The Human-Environment Relation in Jacques Tati’s Playtime and Mon Oncle
106. Film and Philosophy: Volume > 18
Dan Shaw Editor’s Introduction
107. Film and Philosophy: Volume > 18
Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection
108. Film and Philosophy: Volume > 18
Emma Bell Grief Time: Feeling Philosophy in Inception
109. Film and Philosophy: Volume > 18
Daniel Wack How Movies Do Philosophy
110. Film and Philosophy: Volume > 18
Sander Lee The Moral Implications of Gettysburg
111. Film and Philosophy: Volume > 18
Alain Beauclair I Have Been And Always Shall Be Your Friend
112. Film and Philosophy: Volume > 18
Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
113. Film and Philosophy: Volume > 18
Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life
114. Film and Philosophy: Volume > 18
C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film?
115. Film and Philosophy: Volume > 18
Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story
116. Film and Philosophy: Volume > 18
Vernon Cisney The Madness of God: The Schizosign in Shutter Island
117. Film and Philosophy: Volume > 19
Dan Shaw Editor’s Introduction
118. Film and Philosophy: Volume > 19
Thomas Wartenberg The Imposition Objection Reconsidered: A Response to Richard Nunan
119. Film and Philosophy: Volume > 19
William Pamerleau Does the Philosophy of Film Disenfranchise the Art of Film?
120. Film and Philosophy: Volume > 19
Sander Lee Blue Jasmine, A Streetcar Named Desire, and the Power of Self-Deception