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Displaying: 21-40 of 304 documents

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21. Film and Philosophy: Volume > 16
William J. Devlin, Shai Biderman Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone
22. Film and Philosophy: Volume > 16
Mario Slugan Epistemology as Ethics: Skepticism in Blade Runner
23. Film and Philosophy: Volume > 16
John Marmysz Rooting for the Fascists in James Cameron’s Avatar
24. Film and Philosophy: Volume > 16
Murray Smith In and Out of Character
25. Film and Philosophy: Volume > 16
Dan Flory Response to My Critics
26. Film and Philosophy: Volume > 16
Charles W. Mills Blacker Than Noir
27. Film and Philosophy: Volume > 16
Tommy L. Lott Film Noir, Realism, and the Ghettocentric Film
28. Film and Philosophy: Volume > 17
Jay R. Elliott The Last Word on Pottersville
29. Film and Philosophy: Volume > 17
Richard Gilmore The Existential Hitchcock
30. Film and Philosophy: Volume > 17
Jordan Schummer Imagination and Film
31. Film and Philosophy: Volume > 17
Jay R. Elliott The Meaning of Life and the “Pottersville Test”: A Reply to Aaron Smuts
32. Film and Philosophy: Volume > 17
Aaron Smuts Reply to Elliott: In Defense of the Good Cause Account
33. Film and Philosophy: Volume > 17
Ian Schnee Ideology, Socratic elenchus, and Inglourious Basterds
34. Film and Philosophy: Volume > 17
Sam Shpall The Men of Talk to Her
35. Film and Philosophy: Volume > 17
Richard Nunan Gender Tourism in Feature Films: The Case of Transamerica
36. Film and Philosophy: Volume > 17
Shawn Loht Film as Heideggerian Art?: A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
37. Film and Philosophy: Volume > 17
Thorsten Botz-Bornstein “Film Thinks!” What about Dreams?: A Reading of Daniel Frampton’s Filmosophy
38. Film and Philosophy: Volume > 17
Nathan Carson Transformation in the Wasteland?: Remembrance, Naming and Charitable Action in The Road
39. Film and Philosophy: Volume > 17
John McAteer The Problem of the Father’s Love in The Tree of Life and The Book of Job
40. Film and Philosophy: Volume > 17
Rick Fox Dialectic Architecture: The Human-Environment Relation in Jacques Tati’s Playtime and Mon Oncle