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Displaying: 41-60 of 321 documents

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41. Film and Philosophy: Volume > 17
John McAteer The Problem of the Father’s Love in The Tree of Life and The Book of Job
42. Film and Philosophy: Volume > 17
Rick Fox Dialectic Architecture: The Human-Environment Relation in Jacques Tati’s Playtime and Mon Oncle
43. Film and Philosophy: Volume > 2
Carl Plantinga Movie Pleasures and the Spectator's Experience: Toward a Cognitive Approach
44. Film and Philosophy: Volume > 2
Daniel Herwitz Screening The 'I' of the Camera
45. Film and Philosophy: Volume > 2
Deborah Knight Making Sense of Genre
46. Film and Philosophy: Volume > 2
Kevin W. Sweeney Constructivism in Cognitive Film Theory
47. Film and Philosophy: Volume > 2
Cynthia Baron The Self and the Other in Roeg's Eureka and Sartre's Being and Nothingness
48. Film and Philosophy: Volume > 2
Jeffrey A. Bell Phenomenology, Poststructuralism, and the Cinema of Time
49. Film and Philosophy: Volume > 2
William Rothman Cavell's Philosophy and What Film Studies Calls "Theory": Must the Field of Film Studies Speak in One Voice?
50. Film and Philosophy: Volume > 2
Marian Keane Who's Silencing Whom?
51. Film and Philosophy: Volume > 2
Evan William Cameron Filmmaking, Logic, and the Historical Reconstruction of the World
52. Film and Philosophy: Volume > 23
Daniel Shaw Editor’s Introduction
53. Film and Philosophy: Volume > 23
Jack Simmons Blade Runners and the 21st Century
54. Film and Philosophy: Volume > 23
Richard Nunan Emergent Philosophical Content in Ex Machina
55. Film and Philosophy: Volume > 23
Leigh E. Rich “Men Against Fire”: Black Mirror, Eugenics, and Othering Outside of War
56. Film and Philosophy: Volume > 23
James Pearson Could a Heptapod Act?: Language and Agency in Arrival
57. Film and Philosophy: Volume > 23
Ian Schnee On Alien and On Film
58. Film and Philosophy: Volume > 23
Laura Di Summa Black Mirror: The Not So Fearful Consequences of Technology
59. Film and Philosophy: Volume > 23
Dean A. Kowalski The X-Files as Philosophy
60. Film and Philosophy: Volume > 23
Lorraine K. C. Yeung An Aesthetic of Horror Film Music