|
61.
|
Film and Philosophy:
Volume >
23
William Pamerleau
Inauthentically Dead: a Heideggerean Analysis of the Undead in Contemporary Film
|
|
|
|
|
62.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Vittorio Hösle
Why Do We Laugh at and with Woody Allen?
|
|
|
|
|
63.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Acknowledgements
|
|
|
|
|
64.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Sander Lee
Editorial Introduction
|
|
|
|
|
65.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Mark W. Roche
Justice and the Withdrawal of God in Woody Allen's Crimes and Misdemeanors
|
|
|
|
|
66.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Maurice Yacowar
Text /Subtext in Everyone Says I Love You
|
|
|
|
|
67.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Mary Nichols
Woody Allen's Search for Virtue for a Liberal Society:
The Case of Mighty Aphrodite
|
|
|
|
|
68.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Richard Gilmore
Visions of Meaning:
Seeing and Non-Seeing in Woody Allen's Crimes and Misdemeanors
|
|
|
|
|
69.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
William C. Pamerleau
Rethinking Raskolnikov:
Exploring Contemporary Ethical Horizons in Woody Allen's Crimes and Misdemeanors
|
|
|
|
|
70.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Ronald LeBlanc
Deconstructing Dostoevsky:
God, Guilt, and Morality in Woody Allen's Crimes and Misdemeanors
|
|
|
|
|
71.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Robert Vigliotti
Woody Allen's Ring of Gyges and the Virtue of Despair
|
|
|
|
|
72.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Joseph Westfall
Listening in/to Woody Allen's Crimes and Misdemeanors
|
|
|
|
|
73.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
William J. Krier
'Blazoned Days':
Meaning Changes in the Films of Woody Allen
|
|
|
|
|
74.
|
Film and Philosophy:
Volume >
4 >
Issue: On Woody Allen
Bruce Russell
The Philosophical Limits of Film
|
|
|
|
|
75.
|
Film and Philosophy:
Volume >
7
Anat Pick
"No Callous Shell":
The Fate of Selfhood from Walt Whitman to Todd Haynes
|
|
|
|
|
76.
|
Film and Philosophy:
Volume >
7
Daniel Shaw
Editor's Introduction
|
|
|
|
|
77.
|
Film and Philosophy:
Volume >
7
Ronald Lindsay
Sensible and Desperate Knaves in The Way Of the Gun
|
|
|
|
|
78.
|
Film and Philosophy:
Volume >
7
Robert Clewis
Heideggerean Wonder in Terence Malick's The Thin Red Line
|
|
|
|
|
79.
|
Film and Philosophy:
Volume >
7
Nathan Abrams
'Are You Still You?':
Memory, Identity and Self-Positioning in Total Recall
|
|
|
|
|
80.
|
Film and Philosophy:
Volume >
7
David Brottman
A Gnostic Matrix for the Masses:
A Conspired Space Of Metaphysical Totality
|
|
|
|
