81.
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Film and Philosophy:
Volume >
7
Kevin Taylor Anderson
Finding the Essential:
A Phenomenological Look at Hal Hartley's No Such Thing
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82.
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Film and Philosophy:
Volume >
7
Eugene Arva
Life as Show Time:
Aesthetic Images and Ideological Spectacles
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83.
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Film and Philosophy:
Volume >
7
Jerold J. Abrams
Cinema and the Aesthetics of the Dynamical Sublime:
Kant, Deleuze, Heidegger and the Architecture of Film
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84.
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Film and Philosophy:
Volume >
7
Nathan Wolfson
PoMo Desire?: Authorship and Agency in Wim Wenders Wings of Desire iDer Himmel über Berlin)
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85.
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Film and Philosophy:
Volume >
7
Dan Shaw
Eighteen Woody Allen Films Analyzed
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86.
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Film and Philosophy:
Volume >
9
Nathan Andersen
Is Film the Alien Other to Philosophy?:
Philosophy as Film in Mulhall's On Film
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87.
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Film and Philosophy:
Volume >
9
Julian Baggini
Alien Ways of Thinking
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88.
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Film and Philosophy:
Volume >
9
Jonathan Hiers
A Common Ground Between Science and Religion:
A Comparison of Contact and The Varieties of Religious Experience
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89.
|
Film and Philosophy:
Volume >
9
Stephen Mulhall
Ways of Thinking:
A Response to Andersen and Baggini
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90.
|
Film and Philosophy:
Volume >
9
Laura Werner
The Dilemma of Artificial Love:
The Ethics of Love and Recognition in A..I.-Artificial Intelligence
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91.
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Film and Philosophy:
Volume >
9
Alfred Drake
Burgess, Kubrick, and the Enlightenment Narrative of Progress
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92.
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Film and Philosophy:
Volume >
9
Dan Shaw
Editor's Introduction
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|
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93.
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Film and Philosophy:
Volume >
9
Dan Shaw
Kubrick Contra Nihilism:
A Clockwork Orange
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94.
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Film and Philosophy:
Volume >
9
Iddo Landau
The Dialectic of Authenticity and Inauthenticity in Jesus of Montreal
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95.
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Film and Philosophy:
Volume >
9
Temenuga Trifonova
Mind and Body Snatchers:
The Evolution of the Sci-Fi Film Genre
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96.
|
Film and Philosophy:
Volume >
9
Natalia Skradol
Peter Greenaway and Walter Benjamin:
Visual Quoting, Hieroglyphic Montage and The Arcades Project
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97.
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Film and Philosophy:
Volume >
9
Recent Titles by SPSCVA Members
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98.
|
Film and Philosophy:
Volume >
10
Dan Flory
Editor's Introduction
|
|
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99.
|
Film and Philosophy:
Volume >
10
lls Huygens
Emotion and Film Theory:
Incorporating Affect
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100.
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Film and Philosophy:
Volume >
10
Amy Coplan
Caring about Characters:
Three Determinants of Emotional Engagement
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