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81. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Babette Babich Reading Nietzsche’s The Birth of Tragedy
82. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Friedrich Nietzsche The Birth of Tragic Thought
83. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Günter Wohlfart Nietzsche and the Birth of Tragedy
84. New Nietzsche Studies: Volume > 10 > Issue: 1/2
David Blair Allison Nietzsche’s Birth of Tragedy
85. New Nietzsche Studies: Volume > 10 > Issue: 1/2
David Rapport Lachterman Nietzsche and the Homeric Question
86. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Friedrich Nietzsche On the Theory of Quantitifying Rhythm
87. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Babette Babich Nietzsche’s Archilochus and the Lyric Subject
88. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Angèle Kremer-Marietti Rhythm and Rhetoric in Nietzsche
89. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Friedrich Nietzsche Music and Words
90. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Alphonso Lingis, Penn State, Emeritus
91. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Babette Babich, Fordham, NYC / Humboldt University, Berlin
92. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Tracy Burr Strong, UCSD, Emeritus / Southampton, UK
93. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Christoph Cox Nietzsche, Dionysus, and the Virtual
94. New Nietzsche Studies: Volume > 10 > Issue: 1/2
David Blair Allison On Nietzsche’s Music and Words
95. New Nietzsche Studies: Volume > 10 > Issue: 1/2
David Blair Allison
96. New Nietzsche Studies: Volume > 10 > Issue: 1/2
Anne Freire Ashbaugh, Towson University/Rutgers University
97. New Nietzsche Studies: Volume > 10 > Issue: 1/2
notes on contributors...
98. New Nietzsche Studies: Volume > 1 > Issue: 1/2
George H. Leiner The Cambridge Companion to Nietzsche
99. New Nietzsche Studies: Volume > 1 > Issue: 1/2
Wayne Klein Nietzsche’s Apocrypha: The Will to Power and Contemporary Scholarship
100. New Nietzsche Studies: Volume > 1 > Issue: 1/2
Paul S. Miklowitz Unreading Nietzsche: Nazi Piracy, Pyrrhic Irony, and the Postmodern Turn