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Displaying: 81-100 of 304 documents

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81. Film and Philosophy: Volume > 9
Nathan Andersen Is Film the Alien Other to Philosophy?: Philosophy as Film in Mulhall's On Film
82. Film and Philosophy: Volume > 9
Julian Baggini Alien Ways of Thinking
83. Film and Philosophy: Volume > 9
Jonathan Hiers A Common Ground Between Science and Religion: A Comparison of Contact and The Varieties of Religious Experience
84. Film and Philosophy: Volume > 9
Stephen Mulhall Ways of Thinking: A Response to Andersen and Baggini
85. Film and Philosophy: Volume > 9
Laura Werner The Dilemma of Artificial Love: The Ethics of Love and Recognition in A..I.-Artificial Intelligence
86. Film and Philosophy: Volume > 9
Alfred Drake Burgess, Kubrick, and the Enlightenment Narrative of Progress
87. Film and Philosophy: Volume > 9
Dan Shaw Editor's Introduction
88. Film and Philosophy: Volume > 9
Dan Shaw Kubrick Contra Nihilism: A Clockwork Orange
89. Film and Philosophy: Volume > 9
Iddo Landau The Dialectic of Authenticity and Inauthenticity in Jesus of Montreal
90. Film and Philosophy: Volume > 9
Temenuga Trifonova Mind and Body Snatchers: The Evolution of the Sci-Fi Film Genre
91. Film and Philosophy: Volume > 9
Natalia Skradol Peter Greenaway and Walter Benjamin: Visual Quoting, Hieroglyphic Montage and The Arcades Project
92. Film and Philosophy: Volume > 10
Dan Flory Editor's Introduction
93. Film and Philosophy: Volume > 10
lls Huygens Emotion and Film Theory: Incorporating Affect
94. Film and Philosophy: Volume > 10
Amy Coplan Caring about Characters: Three Determinants of Emotional Engagement
95. Film and Philosophy: Volume > 10
Margrethe Bruun Vaage The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology
96. Film and Philosophy: Volume > 10
C. Paul Sellors A Realist Account of Fiction
97. Film and Philosophy: Volume > 10
Scott Stroud Pragmatist Aesthetics and Film: The Thin Red Line and Orientational Meliorism
98. Film and Philosophy: Volume > 10
Aaron Smuts V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance
99. Film and Philosophy: Volume > 10
Greg M. Smith Reflecting the Image: Satrean Emotions in the Writings of Andre Bazin
100. Film and Philosophy: Volume > 10
Kevin L. Stoehr The Dialectical Approach to the Art of the Moving Image: Hegel, Eisenstein and Kracauer