E-Collection
LOGIN
PRODUCTS
All Products
Online Resources
Journals & Series
Digital Media
Books & Reference Works
E-Collection
About
Alphabetically
By Category
By Type
Price Lists
Terms and Conditions
MEMBERSHIPS
Societies & Associations
Conference Registrations
SERVICES
Conference Exhibits
Conference Registrations
Electronic Publishing
Journal Advertising
Mailing Lists
Marketing Services
Membership Services
Production Typesetting
Subscription Fulfillment
ABOUT
About us
Contact
FAQs
Order Info
Privacy
Support
This Title
All Titles
Browse
>
Volume
>
2
>> Go to Current Issue
Film and Philosophy
Volume 2, 1995
Table of Contents
Already a subscriber? -
Login here
Not yet a subscriber? -
Subscribe here
Browse by:
Volume
Year
28
27
26
25
24
23
22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
5/6
4
3
2
1
Overview
Free Content
Online First
Editorial Team
RSS Feeds
E-mail Updates
Calls for Submissions
Special Issues
About the Society
Indexing / Abstracting
Submission Guidelines
Rights & Permissions
Results per page:
20
50
100
Sort by:
Page Number - ascending
Page Number - descending
Date - recent first
Date - oldest first
Title
Author
<< additional functions
Displaying: 1-9 of 9 documents
1.
Film and Philosophy:
Volume
>
2
Carl Plantinga
Movie Pleasures and the Spectator's Experience: Toward a Cognitive Approach
view
|
rights & permissions
|
cited by
2.
Film and Philosophy:
Volume
>
2
Daniel Herwitz
Screening The 'I' of the Camera
view
|
rights & permissions
|
cited by
3.
Film and Philosophy:
Volume
>
2
Kevin W. Sweeney
Constructivism in Cognitive Film Theory
view
|
rights & permissions
|
cited by
4.
Film and Philosophy:
Volume
>
2
Cynthia Baron
The Self and the Other in Roeg's Eureka and Sartre's Being and Nothingness
view
|
rights & permissions
|
cited by
5.
Film and Philosophy:
Volume
>
2
Deborah Knight
Making Sense of Genre
view
|
rights & permissions
|
cited by
6.
Film and Philosophy:
Volume
>
2
Jeffrey A. Bell
Phenomenology, Poststructuralism, and the Cinema of Time
view
|
rights & permissions
|
cited by
7.
Film and Philosophy:
Volume
>
2
Evan William Cameron
Filmmaking, Logic, and the Historical Reconstruction of the World
view
|
rights & permissions
|
cited by
8.
Film and Philosophy:
Volume
>
2
William Rothman
Cavell's Philosophy and What Film Studies Calls "Theory": Must the Field of Film Studies Speak in One Voice?
view
|
rights & permissions
|
cited by
9.
Film and Philosophy:
Volume
>
2
Marian Keane
Who's Silencing Whom?
view
|
rights & permissions
|
cited by