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Renascence

Essays on Values in Literature

Volume 54

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Displaying: 1-20 of 21 documents


1. Renascence: Volume > 54 > Issue: 4
Eric P. Levy The Mind of Man in Hamlet
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2. Renascence: Volume > 54 > Issue: 4
Mary Warner Who Speaks for Winter? Jessica Powers: Poet and Mystic
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3. Renascence: Volume > 54 > Issue: 4
Rev. David Hugh Werning The Creeper Scene in Walker Percy's The Second Coming
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4. Renascence: Volume > 54 > Issue: 4
Edmund Miller Submission and Freedom: Five for Sorrow, Ten for Joy
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5. Renascence: Volume > 54 > Issue: 4
Notes on Contributors
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6. Renascence: Volume > 54 > Issue: 4
Index for Volume 54
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7. Renascence: Volume > 54 > Issue: 3
Elizabeth Teresa Howe Passion, Penance and the Pastoral: Crucifixion Motifs in Some Spanish Golden Age Poems
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8. Renascence: Volume > 54 > Issue: 3
Christine Colón Christianity and Colonial Discourse in Joanna Baillie's The Bride
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9. Renascence: Volume > 54 > Issue: 3
Marina MacKay Immortal Goodness: Ideas of Resurrection in Rebecca West's Black Lamb and Grey Falcon
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10. Renascence: Volume > 54 > Issue: 3
Dan McVeigh Is Harry Potter Christian?
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11. Renascence: Volume > 54 > Issue: 3
Notes on Contributors
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12. Renascence: Volume > 54 > Issue: 2
Grace Tiffany Shakespeare and Santiago de Compostela
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13. Renascence: Volume > 54 > Issue: 2
Janet McCann George MacDonald's Romantic Christianity in Lilith
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14. Renascence: Volume > 54 > Issue: 2
Mary Grabar Percy's Despairing Female in the ''Unmoved Mover"
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15. Renascence: Volume > 54 > Issue: 2
Bryce Christensen 'The Latter End of Job": The Gift of Narrative in Muriel Spark's The Only Problem and The Comforters
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16. Renascence: Volume > 54 > Issue: 2
Notes on Contributors
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17. Renascence: Volume > 54 > Issue: 1
Charles R. Forker Unstable Identity in Shakespeare's Richard II
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18. Renascence: Volume > 54 > Issue: 1
Nicholas Poburko Transitional Passages: The Metaphysical Art of E. M. Forster
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19. Renascence: Volume > 54 > Issue: 1
Jeff Polet A Blackened Sea: Religion and Crisis in the Work of Par Lagerkvist
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20. Renascence: Volume > 54 > Issue: 1
Peter Lecouras Satire, Social Practice, and the Self in Percy's Lancelot
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