This paper proposes that the major national/cultural states of consciousness in the world today are characterized by an addictive epistemology — the corruption of will into willfulness. The essence of addiction is seen to reside in the issue of control While World War II had a singularly "intoxicating" effect on the world's consciousness, the war in Vietnam was an occasion when this consciousness "hit bottom." The hitting bottom event is not a function of objective circumstances, but of consciousness; of the subjective interpretation and experience of phenomena. To resolve this addictive consciousness we need to learn, as individuals and en masse, to surrender control and accept responsibility. Because addiction, and its resolution, hinge on transformations of the experience of self, wefind that questions regarding the nature of selfhood and identity once considered philosophical recreations have become urgently pragmatic.

The concept of addiction is historically and culturally specific, becoming a common way of understanding experience first in early nineteenth-century America, This paper considers the relation to the concept of elements in current professional definitions of addiction (as dependence). Addiction concepts have become a commonplace in storytelling, offering a secular equivalent for possession as an explanation of how a good person can behave badly, and as an inner demon over which a hero can triumph.

This essay examines President Nixon's drug policy during the early 1970s, specifically the government's reaction to heroin use by American soldiers in Vietnam. The official response, discursively (through the employment of the drugs-as-a-disease metaphor) and on the policy level illustrated how of issues of national- and self-identity othering, and modernity intersected in the formulation and implementation of what is now termed the Drug War. Heroin using soldiers and domestic addicts, labeled as carriers of a contagious, foreign, and antimodem, dangerous disease, threatened to undermine a contingent national identity an identity weighted by capitalist modernity. Unearthing how addiction's ostensibly antimodern condition contributed to the othering of addicts as a foreign danger reveals how the United States' antidrug character and policies help maintain a national identity bound to the tenets of capitalist modernity. Methodologically, this essay combines historical analysis with literary and critical theory.

This essay examines the relationship between wording authorship, depression and addiction. Styron's own experience was of tumbling into acute depression, following the withdrawal of his habitual low-level alcohol habit. The paper examines the way in which such depressions may be described as emptinesses of being congruent with a philosophical (Sartrean) perspective: it compares them with the wild excesses and hyperactivities associated with alcoholism in Leaving Las Vegas and The Great Gatsby. The paper makes several theoretical association between alcoholic behavior and the act of writing itself.

This essay considers the meaning and relatedness of sobriety and drunkenness with reference to Levinas, Taoism, Sufism, the Bible, and the Beatles.