E-Collection
LOGIN
PRODUCTS
All Products
Online Resources
Journals & Series
Digital Media
Books & Reference Works
E-Collection
About
Alphabetically
By Category
By Type
Price Lists
Terms and Conditions
MEMBERSHIPS
Societies & Associations
Conference Registrations
SERVICES
Conference Exhibits
Conference Registrations
Electronic Publishing
Journal Advertising
Mailing Lists
Marketing Services
Membership Services
Production Typesetting
Subscription Fulfillment
ABOUT
About us
Contact
FAQs
Order Info
Privacy
Support
This Title
All Titles
Browse
>
Volume
>
4
>> Go to Current Issue
Film and Philosophy
Volume 4
Already a subscriber? -
Login here
Not yet a subscriber? -
Subscribe here
Browse by:
Volume
Year
28
27
26
25
24
23
22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
5/6
4
3
2
1
Issue: On Horror
Issue: On Woody Allen
Issue: Volume IV
Overview
Free Content
Online First
Editorial Team
RSS Feeds
E-mail Updates
Calls for Submissions
Special Issues
About the Society
Indexing / Abstracting
Submission Guidelines
Rights & Permissions
Results per page:
20
50
100
Sort by:
Page Number - ascending
Page Number - descending
Date - recent first
Date - oldest first
Title
Author
<< additional functions
Displaying: 1-20 of 39 documents
1
2
>
1.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Acknowledgements
view
|
rights & permissions
|
cited by
2.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Daniel Shaw
Editor's Introduction
view
|
rights & permissions
|
cited by
3.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Daniel Shaw
Power, Horror and Ambivalence
view
|
rights & permissions
|
cited by
4.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Patrick Crogan
Things Analog and Digital
view
|
rights & permissions
|
cited by
5.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Anat Pick
Third Man, Fourth World: The Fantastic Inscription of Orson Welles in Peter Jackson's Heavenly Creatures
view
|
rights & permissions
|
cited by
6.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Cynthia Freeland
Explaining the Uncanny in The Double Life of Véronique
view
|
rights & permissions
|
cited by
7.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Steven Schneider
Manifestations of the Literary Double in Modern Horror Cinema
view
|
rights & permissions
|
cited by
8.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Michael Levine
Depraved Spectators and Impossible Audiences
view
|
rights & permissions
|
cited by
9.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Tarja Laine
Empathy, Sympathy and the Philosophy of Horror in The Shining
view
|
rights & permissions
|
cited by
10.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Kevin L. Stoehr
Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil
view
|
rights & permissions
|
cited by
11.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
James Wierzbicki
Wedding Bells for The Bride of Frankenstein: Symbols and Signifiers in the Music for a Classic Horror Film
view
|
rights & permissions
|
cited by
12.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Sara Waller, Chris Meyers
Disenstoried Horror: Art Horror Without Narrative
view
|
rights & permissions
|
cited by
13.
Film and Philosophy:
Volume
>
4
>
Issue: On Horror
Richard Gilmore
Horror and Death at the Movies
view
|
rights & permissions
|
cited by
14.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Acknowledgements
view
|
rights & permissions
|
cited by
15.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Sander Lee
Editorial Introduction
view
|
rights & permissions
|
cited by
16.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Vittorio Hösle
Why Do We Laugh at and with Woody Allen?
view
|
rights & permissions
|
cited by
17.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Maurice Yacowar
Text /Subtext in Everyone Says I Love You
view
|
rights & permissions
|
cited by
18.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Mary Nichols
Woody Allen's Search for Virtue for a Liberal Society: The Case of Mighty Aphrodite
view
|
rights & permissions
|
cited by
19.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Mark W. Roche
Justice and the Withdrawal of God in Woody Allen's Crimes and Misdemeanors
view
|
rights & permissions
|
cited by
20.
Film and Philosophy:
Volume
>
4
>
Issue: On Woody Allen
Ronald LeBlanc
Deconstructing Dostoevsky: God, Guilt, and Morality in Woody Allen's Crimes and Misdemeanors
view
|
rights & permissions
|
cited by
1
2
>