Film and Philosophy


1.	Film and Philosophy: Volume > 2 Carl Plantinga Movie Pleasures and the Spectator's Experience: Toward a Cognitive Approach view \| rights & permissions \| cited by


2.	Film and Philosophy: Volume > 2 Daniel Herwitz Screening The 'I' of the Camera view \| rights & permissions \| cited by


3.	Film and Philosophy: Volume > 2 Kevin W. Sweeney Constructivism in Cognitive Film Theory view \| rights & permissions \| cited by


4.	Film and Philosophy: Volume > 2 Cynthia Baron The Self and the Other in Roeg's Eureka and Sartre's Being and Nothingness view \| rights & permissions \| cited by


5.	Film and Philosophy: Volume > 2 Deborah Knight Making Sense of Genre view \| rights & permissions \| cited by


6.	Film and Philosophy: Volume > 2 Jeffrey A. Bell Phenomenology, Poststructuralism, and the Cinema of Time view \| rights & permissions \| cited by


7.	Film and Philosophy: Volume > 2 Evan William Cameron Filmmaking, Logic, and the Historical Reconstruction of the World view \| rights & permissions \| cited by


8.	Film and Philosophy: Volume > 2 William Rothman Cavell's Philosophy and What Film Studies Calls "Theory": Must the Field of Film Studies Speak in One Voice? view \| rights & permissions \| cited by


9.	Film and Philosophy: Volume > 2 Marian Keane Who's Silencing Whom? view \| rights & permissions \| cited by