The paper begins from the idea that an image is being shaped in the communication process and depends for this shaping on social interaction. The unhistorical elements of the image (archetype, myths and symbols), together with the historical ones (representation and stereotype), are transmitted through communication processes that depend of the ways that individuals and groups relate. Considering this, the paper argues that we may discuss a certain historicity of myths and symbols if we approach a communication point of view, as they are forms of interpreting and decoding reality.

Camil Petrescu (1894-1957) was a Romanian novelist, dramatist, poet and philosopher. His PhD thesis in philosophy was entitled The Aesthetic Method of Theater, and wasinfluenced by Joseph Gregor, Julius Bab, Gordon Craig, Constantin Stanislavski, Adolphe Appia, and William Butler Yeats.. His thesis was published in 1937. In Romanian literature, he was the initiator of the modern novel, with the volume The Last Night of Love, the First Night of War (1930). As a philosopher he was influned by and continued to studyPlato, Descartes, Kant, Hegel, James, Bergson and Husserl. Petrescu is the first Romanian philosopher to write a micro-monograph about Husserl (1938). His main philosophical work, entitled The Doctrine of Substance (deposited in 1942 to the Library of Vatican), was published in 1988 (The Doctrine of Substance, volumes I-II). In this paper, I present a placement of the Romanian philosopher in his time and in the relationshe has with his contemporaries, some of them of world-class (Mircea Eliade, Eugen Ionesco, Emil Cioran, inclusiv Constantin Noica).