Film and Philosophy

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Film and Philosophy

Volume 15, 2011

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1.	Film and Philosophy: Volume > 15 Dan Shaw Editor's Introduction view \| rights & permissions \| cited by


2.	Film and Philosophy: Volume > 15 Kevin W. Sweeney Sideways: Does Good Taste Improve Moral Character? view \| rights & permissions \| cited by


3.	Film and Philosophy: Volume > 15 Thomas Blakemore Objects With a Soul: The Spiritualization of Sound in the Films of Robert Bresson view \| rights & permissions \| cited by


4.	Film and Philosophy: Volume > 15 Wililam Hawk I, Robot view \| rights & permissions \| cited by


5.	Film and Philosophy: Volume > 15 Leigh Rich, Jack Simmons Heidegger and House: The Twofold Task in Working Out the Question of American Medicine view \| rights & permissions \| cited by


6.	Film and Philosophy: Volume > 15 Joseph Kupfer From Despair to Care: Self-Transformation in Monster's Ball view \| rights & permissions \| cited by


7.	Film and Philosophy: Volume > 15 Manon Kolsteren Dreaming of Becoming a Monster: Stanley Cavell's Moral Perfectionism in Twlight view \| rights & permissions \| cited by


8.	Film and Philosophy: Volume > 15 John McAteer "Maybe Goodness is Just Make-Believe": Optimism, Self-Deception and Rashomon view \| rights & permissions \| cited by


9.	Film and Philosophy: Volume > 15 Kevin Stoehr "By Cinematic Means Alone": The Russell-Wartenberg-Carroll Debate view \| rights & permissions \| cited by


10.	Film and Philosophy: Volume > 15 Tarja Laine Entangled Life: The Double Life of Veronique view \| rights & permissions \| cited by


11.	Film and Philosophy: Volume > 15 Todd Dufresne On Film, Theory, & "Film as Philosophy": Or, Philosophy Goes 'Pop' view \| rights & permissions \| cited by

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Browse > Volume > 15

Film and Philosophy

Volume 15, 2011

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Displaying: 1-11 of 11 documents