Meinong justifies the need of his Gegenstandstheorie by presenting it as a generalization of (existing) metaphysics, in that the former deals with both existent and non-existent objects, whereas the latter used to deal with existent objects only. But this justification is disingenuous, since the notion of a non-existent object is virtually a contradiction in terms for the traditional paradigm. What Meinong is really proposing is a conceptual revolution of a Kantian variety, and we need to get clearer about the full import of this revolution. This is what the present paper attempts to do.

1. Sensa and propositional experience. 2. An option between propositions and properties (as objects or contents of sensory experience). 3. The property option and adverbialism. 4. Sensa as images, images as intentionalia. 5. Do we refer directly to sensa? 6. Focusing and the supervenience of images and our reference to them: a question raised. 7. Internal and external properties of images and characters. Strict vistas introduced. 8. A correction on strict vistas. 9. Focusing and experience: the question answered. 10. Conclusion.

Thoughts may have a subject — they may concern a certain topic —without having an object in the sense of being directed upon a referent. It is argued that, once this distinction is acknowledged, a third position between Meinong and Russell can be established. There will then be objectless thoughts which need not be false in view of the non-existence of their purported referents. But there will also be object-dependent thoughts which have their referents necessarily. Neither logically proper names nor non-existing objects need to be introduced if we allow for cases when we are mistaken about what kind of thoughts we are considering. This result is achieved via an analysis of fictional names and a free logic which includes a nonpredicating use of general terms in sentences imitating the logical form of predications.

How are we to understand the intentionality of mental acts which lack existing objects? Two alternatives present themselves: the Meinongian, which would involve the postulation of special nonexistent objects; and the adverbial, which would appeal instead to special qualities of the acts themselves. The present paper, which draws on the hitherto neglected aesthetic writings of the Meinong school, is concerned with certain psychological and aesthetic implications of the adverbial approach. The 'substitution theory' of the title consists in the view that our experience of works of art can best be conceived in terms of special sorts of'modified' psychic phenomena which may be said to substitute or stand proxy for our normal emotional experiences. The job of the work of art, on this view, is precisely to bring about such proxy emotions within the psychic subject. This idea is shown to have imphcations for the treatment of aesthetic pleasure, as also for our understanding of the nature of artistic traditions and of the value of works of art.

Kant asserts that we cannot represent to ourselves the non-existence of space. In his discussion of the Ontological Argument he maintains that there is nothing whose non-existence is inconceivable. He thus seems to contradict himself. If the non-existence of space is unthinkable, so is the non-existence of a part of space — a place. Indicating a particular place, we might say "There are no objects there", but it would be nonsense to say "There doesn't exist". We can say, as Aristotle saw, "There is a place where there was water and where there is now air"; but to do so is to bind an adverbial variable with a quantifier, not to attach "exists" to the name of a place. To assert of a place, or of space, that it exists or that it does not exist would be nonsense, and the unthinkable in that sense is not something whose negation is, as Kant thought, a necessary truth.

On Thomas Reid's 18thC theory of psychology and ontology, our conception of primary qualities was original and our conception of secondary qualities was acquired. The conception of both was a response to sensations. In the Inquiry Reid insisted that our original conceptions were automatic and irresistible, while in the Essays he insisted that our conception of general attributes arises from a two step process of abstraction and generalization. These doctrines are rendered consistent by a distinction between particular attributes, which exist and are conceived by abstraction, and general attributes, which do not exist and are conceived by generalization guided by their utility in knowledge and communication.

Brentano's famous thesis of the Intentionality of the Mental was already formulated by Thomas Reid who used it in his campaign against the Locke-Berkeley-Hume Theory of Ideas. Apphed to the case of conceiving the thesis says that to conceive is to conceive something. This principle stands in apparent conflict with the common-sensical view, defended by Reid, that we can conceive what does not exist. Both principles, it is argued, are plausible and should be retained. The problem is how to resolve the apparent contradiction. Reid's way out of the dilemma is clarified by contrasting it with less satisfactory solutions.