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Alphonso Lingis
Sacrilege
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Martha J. Reineke
After the Scapegoat:
René Girard’s Apocalyptic Vision and the Legacy of Mimetic Theory
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Frederiek Depoortere
Reading Giorgio Agamben’s Homo Sacer with René Girard
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Agamben, Kristeva, and the Language of the Sacred
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Christina Kkona
The Ambivalence of the Sacred in Julia Kristeva
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Robin Truth Goodman
Julia Kristeva’s Sacrificial Murders:
The Body at Work as the Work of Art
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Kristeva and Bataille:
Archeologies of Prohibition and the Erotics of the Uncanny
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Sacred Violence and the Death of God:
Bataille’s Lucid Fanaticisms
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Wernmei Yong Ade
The Sacred:
of Violence, Intimacy, and Love
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Frances L. Restuccia
Profaning the Messiah or Why Can’t Dulcinea Love Us?
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The Task of Journalism in the Age of Terrorism:
Imagining the Profane
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Gaëlle Fiasse
Revisiting Jankélévitch’s Dichotomy:
Between Excusing the Ignorant and Forgiving the Wicked
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Ricoeur and Berman:
An Encounter between Hermeneutics and Translation Studies
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Power, Resistance, and the Foucauldian Technologies
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Eternal Return And Ilo Uwa—Nietzsche and Igbo African Thought:
Implications for Cross-Cultural Philosophizing
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Choreographing the Borderline:
Dancing with Kristeva
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Douglas Low
Merleau-Ponty, Ontology, and Ethics
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Naturalism Reconsidered:
Wittgenstein and Merleau-Ponty
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Unbearable Godot:
How an Existentialist Can Make Meaning and Find Happiness in Repetition
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Is Sartre’s Les Mouches Sartrean?
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