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1984
Semiotics
Semiotics 1984
1984
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Displaying: 1-20 of 60 documents
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the project of the proceedings
1.
Semiotics:
1984
John Deely
Editor’s Preface
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semiotics of literature
2.
Semiotics:
1984
David K. Danow
Dialogic Perspectives: Bakhtin and Mukařovský
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3.
Semiotics:
1984
Len Hatfield
Signs of Authority in Yeats’ The Wild Swans at Coole
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4.
Semiotics:
1984
Terri Brint Joseph
Peirce, Pound, and Fenollosa
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5.
Semiotics:
1984
Floyd Merrell
Knowing Fictions
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6.
Semiotics:
1984
Laurence A. Rickels
Wilhelm Heinse’s Media Conception of the Arts
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7.
Semiotics:
1984
Beverly Seaton
Further Dialogue with a Nobel Laureate
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8.
Semiotics:
1984
Cheryl Ann Weissman
Empty Pockets and Illusory Prizes: Perceptions of Loss in Dickens’ Great Expectations
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the antithetical hypersign
9.
Semiotics:
1984
SunHee Kim Gertz
The Green Knight Teaches Gawain How To Read
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10.
Semiotics:
1984
Clayton Koelb
The Kafkan Parable as Antithetical Hypersign
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11.
Semiotics:
1984
Susan Noakes
Intertextuality and Dante’s Antithetical Hypersign
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visual arts and intertextuality: semiotic analyses
12.
Semiotics:
1984
Maryann Ayim
The Sexual Semiotics of Photography
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13.
Semiotics:
1984
Jackson G. Barry
Semiotics and the Meaning of Form
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film semiotics and specular information
14.
Semiotics:
1984
Shekhar Deshpande
Semiotics and Realism: Toward a Theory of Documentary Film
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15.
Semiotics:
1984
Jenny L. Nelson
Soaps/Sitcoms: Television Genres as Situated Discourse
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16.
Semiotics:
1984
Micheal C. Pounds, Peter H. Salus
Specular Information
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semiotics and music
17.
Semiotics:
1984
Gayle A. Henrotte
Music as Language: A Semiotic Paradigm?
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18.
Semiotics:
1984
Roland Posner
Balance of Complexity and Hierarchy of Precision: Two Principles of Economy in the Notation of Language and Music
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architectural semiotics
19.
Semiotics:
1984
Robert M. Baron
Rome as Body and Text: A Suggested Method in Sixtus V’s Re-construction Program
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20.
Semiotics:
1984
Marco Frascari
Semiotica Ab Edendo: Taste in Architecture
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