Cover of Film and Philosophy
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Displaying: 101-120 of 360 documents


101. Film and Philosophy: Volume > 18
Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection
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102. Film and Philosophy: Volume > 18
Emma Bell Grief Time: Feeling Philosophy in Inception
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103. Film and Philosophy: Volume > 18
Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
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104. Film and Philosophy: Volume > 18
Alain Beauclair I Have Been And Always Shall Be Your Friend
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105. Film and Philosophy: Volume > 18
Sander Lee The Moral Implications of Gettysburg
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106. Film and Philosophy: Volume > 18
Daniel Wack How Movies Do Philosophy
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107. Film and Philosophy: Volume > 18
C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film?
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108. Film and Philosophy: Volume > 18
Vernon Cisney The Madness of God: The Schizosign in Shutter Island
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109. Film and Philosophy: Volume > 18
Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story
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110. Film and Philosophy: Volume > 18
Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life
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111. Film and Philosophy: Volume > 17
Dan Shaw Editor’s Introduction
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112. Film and Philosophy: Volume > 17
Ian Schnee Ideology, Socratic elenchus, and Inglourious Basterds
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113. Film and Philosophy: Volume > 17
Richard Gilmore The Existential Hitchcock
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114. Film and Philosophy: Volume > 17
Jay R. Elliott The Meaning of Life and the “Pottersville Test”: A Reply to Aaron Smuts
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115. Film and Philosophy: Volume > 17
Aaron Smuts Reply to Elliott: In Defense of the Good Cause Account
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116. Film and Philosophy: Volume > 17
Jay R. Elliott The Last Word on Pottersville
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117. Film and Philosophy: Volume > 17
Jordan Schummer Imagination and Film
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118. Film and Philosophy: Volume > 17
Richard Nunan Gender Tourism in Feature Films: The Case of Transamerica
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119. Film and Philosophy: Volume > 17
Sam Shpall The Men of Talk to Her
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120. Film and Philosophy: Volume > 17
Shawn Loht Film as Heideggerian Art?: A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
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