Cover of Film and Philosophy
Already a subscriber? - Login here
Not yet a subscriber? - Subscribe here

Displaying: 161-180 of 360 documents


161. Film and Philosophy: Volume > 14
Richard Nunan Filmosophy and the Art of Philosophical Analysis of Films
view |  rights & permissions | cited by
162. Film and Philosophy: Volume > 13
Daniel Shaw Editor's Introduction
view |  rights & permissions | cited by
163. Film and Philosophy: Volume > 13
Heather Battaly, Amy Coplan Is Dr. House Virtuous?: Using House to Teach the Moral and Intellectual Virtues
view |  rights & permissions | cited by
164. Film and Philosophy: Volume > 13
Thomas E. Wartenberg Teaching Philosophy Through Film Aristotle's Theory of Friendship and The Third Man
view |  rights & permissions | cited by
165. Film and Philosophy: Volume > 13
David LaRocca The Limits of Instruction
view |  rights & permissions | cited by
166. Film and Philosophy: Volume > 13
George Connell Transposing Transgression: Teaching Kierkegaard's Fear and Trembling through Danish Film
view |  rights & permissions | cited by
167. Film and Philosophy: Volume > 13
Peter Murphy Using Gattaca to Teach Genetic Discrimination
view |  rights & permissions | cited by
168. Film and Philosophy: Volume > 13
Mark Huston The Conversation, Film, and Philosophy
view |  rights & permissions | cited by
169. Film and Philosophy: Volume > 13
William Pamerleau Film as a Non-Philosophical Resource for Philosophy Instruction
abstract | view |  rights & permissions | cited by
In this essay I argue that (by and large) film does not do philosophy, but that it nevertheless provides insights that are important to both professional philosophers and their students. Since those insights are at least partially due to the filmic qualities of the medium, using films can significantly contribute to our philosophizing, both in the classroom and in research. In fact, it is precisely because films differ from philosophic treatises that they can help us to explore some issues more effectively than simply byusing traditional texts.
170. Film and Philosophy: Volume > 13
Jessica Gosnell Now Showing: Pedagogy and Philosophy at the Movies
view |  rights & permissions | cited by
171. Film and Philosophy: Volume > 13
Sondra Bacharach Resuscitating the Subversive in Unlikely Couples
view |  rights & permissions | cited by
172. Film and Philosophy: Volume > 13
Noël Carroll Monsters and the Moving Image: Replies to Laetz and Yanal
view |  rights & permissions | cited by
173. Film and Philosophy: Volume > 13
Aaron Smuts Wings of Desire: Reflections on the Tedium of Immortality
view |  rights & permissions | cited by
174. Film and Philosophy: Volume > 13
Dan Shaw Teaching Philosophy Through Film: Signs and the Problem of Evil
view |  rights & permissions | cited by
175. Film and Philosophy: Volume > 12
Daniel Shaw Editor's Introduction
view |  rights & permissions | cited by
176. Film and Philosophy: Volume > 12
Bruce Russell Film's Limits: The Sequel
view |  rights & permissions | cited by
177. Film and Philosophy: Volume > 12
Noël Carroll Philosophy in the Moving Image: Response to Bruce Russell
view |  rights & permissions | cited by
178. Film and Philosophy: Volume > 12
Thomas E. Wartenberg What Else Films Can Do: A Response to Bruce Russell
view |  rights & permissions | cited by
179. Film and Philosophy: Volume > 12
Bruce Russell Replies to Carroll and Wartenberg
view |  rights & permissions | cited by
180. Film and Philosophy: Volume > 12
J. Heath Atchley Smoke and the Practice of Philosophy
view |  rights & permissions | cited by