This essay analyzes Karl Jaspers’ conception of the Axial Age and the comparative idea of paradigmatic individuals (Socrates, Buddha, Confucius, Jesus) among other relevant ideas (philosophical faith, biblical religion) in the light of post-secularity. The special focus is laid on the post-war situation in Western Europe which was one of the main factors of the formation of the aforementioned conceptions and ideas. The disaster which was brought by uncontrolled nationalism in Germany forced Jaspers to rethink the crisis of humanism after World War II. Using a comparative method Jaspers seeks a unity of human spirit and with this gesture his thinking appears to be a desire to have a foundation for the common being of contemporary society. Jaspers’ interpretation of paradigmatic individuals stimulated future research on comparative civilizational philosophies.

In this article, Martin Heidegger’s phenomenology of boredom is compared with some aspects of Zen practice. Heidegger is primarily interested in boredom as a “fundamental mood,” which takes us beyond the opposition of the subject and object. Thus, boredom reveals the existence more initially than those forms of cognition that are the basis of classical philosophy and special sciences. As an essential feature of the experience of boredom, Heidegger singles out that being in this state we feel that our attention is held by something in which we find nothing but emptiness. In the article, this emptiness is compared with the Buddhist concept of shunyata, and various forms of experiencing boredom are paralleled with the different types of concentration achieved in Zen practice (samadhi). Besides, the question is discussed how the Buddhist perception of emptiness corresponds to Heidegger’s “openness.”

The paper examines the intercultural dimension of everyday aesthetics which was promoted by one of its most important Chinese proponents Liu Yuedi as a search for dialogue between various aesthetic traditions, in particular, those from the East and West. The aim of the paper is to explore some parallels between the traditional Chinese and contemporary Western aesthetic sensibilities, by looking for their common values and concepts which are gaining prominence in the discourse of everyday aesthetics. It begins with a survey of the contributions of Chinese and Western scholars; the survey concerns the relevance of Chinese (Confucian and Daoist) traditional aesthetics for everyday aesthetics, and examines particular features of the nature of perception in everyday aesthetics which is common to Chinese and Western artistic activities, aesthetic discourses and their conceptualizations. In the second section I discuss the “intercultural” concept of atmosphere as the de-personalized or “transpersonal”/intersubjective, vague and all-inclusive experience of the situational mood and environmental wholeness. I explore and compare the reflection of its characteristics in Western scholarship and Chinese aesthetics, especially in regard to the aural perception and sonic sensibility. The final section provides a comparative analysis of few examples of the integration of music into the environmental or everyday surrounding—in Daoist philosophy and Chinese everyday aesthetics, and Western avant-garde art (precisely, musical composition by John Cage 4’33). The analysis is concentrated on the perception of music in relation to the experience of atmosphere and everyday aesthetics, as they were defined in the previous sections. The paper challenges the “newness” of everyday aesthetics, especially if it is viewed from the intercultural perspective, and proposes the separation of its discourses into the investigation of its past and present.

This article mainly focuses on one of the most refined movements in world aesthetics and fine art—one that spread when Chinese Renaissance ideas arose during the Song Epoch and that was called the Intellectual (Wenrenhua) Movement. The ideological sources of intellectual aesthetics are discussed—as well as the distinctive nature of its fundamental theoretical views and of its creative principles in relation to a changing historical, cultural, and ideological contexts. The greatest attention is devoted to a complex analysis of the attitudes toward the artistic creation of the most typical intellectuals, Su Shi and Mi Fu; the close interaction between the principles of painting, calligraphy, and poetry is emphasized; a special attention is paid to the landscape genre and to conveying the beauty of nature. This article discusses in detail the most important components of artist’s creative potential, the opportunities to employ them during the creative act, and the influence of Confucian, Daoist, and Chan aesthetic ideas. The various external and internal factors influencing the intellectual creative process are analyzed; artist’s psychological preparation before creating is discussed along with the characteristics of his entrance into the creative process. This article highlights the meditational nature of artistic creation typical of representatives of this movement, the freedom of the spontaneous creative act, and the quest for the inner harmony of the artist’s soul with expressions of beauty in the natural world.

The article deals with André Malraux’s (1901–1976) comparative theory of art. He, a French intellectual, novelist, and philosopher developed an original philosophical approach to art works and their transformations in time which has still a significant impact to contemporary comparative studies of art. The idea of metamorphosis expresses Malraux’s radical turn from classical academic aesthetics and his closeness to existential philosophical and aesthetical thinking. It reinforces the concept of the imaginary museum and provides a more philosophical background. Each culture perceives and accepts the art of other cultures according to its own viewpoints in a process which is defined by Malraux as metamorphosis. The full significance of metamorphosis appeared in modern civilisation—the first which collected art forms from any period and place. The work of art lives its own life deliberated from history and its consequential postulation of human permanence. The metamorphosis is the key to Malraux’s humanist metaphysics of art.

This essay examines Jurgis Baltušaitis’ writings and shows its connections with the works of Henri Focillon, Aby Warburg and Athanasius Kircher. Baltušaitis oriented his interdisciplinary analyses in art history and cultural studies. The essay aims to demonstrate the complexity and importance of Baltrušaitis’ ideas that are developed in the comparative research of medieval art history, depraved perspectives, aberrations and illusions. Those works are linked by the philosophy of image and imagination that stand at the crossroads between abstractness and concreteness, myth and history, reality and illusion, rational and irrational forces, the East and West. This article tries to shape Baltrušaitis’ legacy by offering an insight into his thinking which unites various research topics, typically excluded from positivistic studies. It reveals the underlying structures of cultural imaginary in which cross-cultural interactions take place. It argues for the revaluation of his oeuvre by attending to the theoretical concerns behind his historical research program.

The paper presents Professor Janusz Kuczyński’s life as well as his intellectual and organizational activities, his achievements as a publisher and his efforts to establish an environment of followers of his special kind of universalism.

In this paper, I endeavor to penetrate to the heart of Janusz Kuczyński’s writings about his concept of universalism and to offer my own deliberations upon it based upon my previous writings concerning universalism and dialogue and on my considerations of necessary conditions for the possibility of universal dialogue taking place. To this end, I posit ten conditions for the possibility of entering into genuine universal dialogue. For clarification of Kuczyński’s concept of universalism, I analyze his concept into meta-universalism (M-Universalism) and holistic universalism (W-Universalism). I also discuss the important role of complementarity in the selection of the content of both types of universalism. Finally, I discuss how the phenomenological epoché can be employed to choose the basic values that constitute the shared values of universalism. In so doing, I make reference to Chinese philosophy to illustrate the universality of ethical values.

This paper is a critical analysis of the conditions under which a decent world order is possible, an order in which the different peoples of the world can thrive under the conditions of peace, cooperation, freedom, justice, and prosperity. This analysis is done from the standpoint of Janusz Kuczyński’s philosophy of universalism as a metaphilosophy. More than any other in the contemporary period, this philosophy has advanced a focused, systematic, and comprehensive analysis of these conditions on the basis of a universal vision of nature, human nature, and the meaning of human life and destiny. The paper is composed of three parts. The first part is devoted to a short overview of activism in the history of philosophy. The second part is devoted to an analysis of the main elements of universalism as a metaphilosophy, especially the theoretical conditions of establishing a decent world order. The third part is devoted to a discussion of the practical steps that should be taken to establish a decent world order.

This essay is divided into two parts. The first part is an account of my own very personal impressions and memories of my encounter with Janusz Kuczyński’s vision of a “new form of universalism.” I focus on Kuczyński’s attempt to interpret “the meaning of recent history” in his day and times. This account does not aim at a definitive account of Kuczyński’s thinking but rather at my interpretation of what I consider to be the most promising and defensible version of his ideas. This is an account of my impressions as I remember them filtered through personal experiences over the past three decades. Other interpretations are possible and perhaps even necessary for a more complete account.The second part attempts to articulate what I consider to be the lasting relevance of those ideas. I attempt to say something about the meaning of “this moment in history,” unfolding in my place and in my times. I hope to point toward the lasting relevance of Kuczyński’s thinking by relying on those ideas to say something insightful about the ecological, social, and political events occurring as I write this essay, events that are shaped by a historical pandemic as my country erupts into massive political demonstrations seeking social and racial justice in my country.

The idea of rational understanding lays very close to the heart of Professor Janusz Kuczyński, an advocate of universalism as well as dialogue between diverse philosophical schools and worldviews, and doctoral advisor to the present paper’s author. This idea’s theoretical conceptualisation—a conceptualisation that has proven to be convincing and adequate to the conditions of the modern world—was developed by Professor Jürgen Habermas, whose ideas and theories were also the subject of a doctoral thesis written by this paper’s author in the latter half of the 1970s under Professor Kuczyński’s tutelage. The author shares some grateful memories of his doctoral tutor, and also sets his one-time attempts to apply the theory of communicative action to two experiences of the real socialism era in Poland (the events of 1980/1981 and 1989) against his efforts to analyse contemporary Polish realities through the prism of the communicative rationality conception. This comparison shows that the application of a conception of rationality funded by communicative action to the turbulent transformations under real socialism was to a certain extent naïve—though not devoid of critical significance—and also reveals the preconditions (in the sphere of understanding oneself and the world) for the implementation of the rules of communicative rationality in social and political reality.The paper is in part dedicated to the memory of Professor Kuczyński, therefore it contains a somewhat extensive account of the circumstances which led the author to study the thought of Habermas under Kuczyński’s tutelage, as well as the consequences of this choice, which proved of considerable significance for his further life. However, the main themes are, first, the validity (and naivety) of applying a conception of rationality funded by communicative action to two significant experiences of the real socialism era, and, secondly, the need—revealed by diagnosing contemporary Polish reality with the help of the communicative rationality conception—for certain preconditions enabling the implementation of this type of rationality in social and political reality. One such precondition is the transition of sufficiently broad parts of society from thinking in terms of worldviews (Weltaunschauungen) to post-metaphysical thinking in terms of the “lifeworld” (Lebenswelt).

This comparative essay about two kinds of interpersonal-centric humanism is dedicated to the memory of professor Janusz Kuczyński and his conception of dialogical universalism as a metaphilosophy, and shows Immanuel Kant’s thought as a ceaseless source of inspiration for all anti-conservatives and universalists. Kant’s philosophy gave man an unforgettable sense of freedom, because it not only posed the imperative of building a pan-human community of all rational beings, but also revealed the above-natural sense of the human species’ imposition of purposefulness upon itself, and the realisation of this purposefulness in the form of a republican federation of free states dedicated to co-creating eternal peace. Kantian ethics did not reach beyond the obligations people had towards one another, hence it was functionally anthropological and uninfluenced by religion, which re-situated philosophy with regard to scientific cognition and religious experience, giving rise to a metaphysics of anthropological responsibility for the condition of the spiritual freedom this ethic propounded. Kant revealed the existence of a metaphysical difference in the sphere of being—between the determinism of nature and the moral kingdom of freedom—without direct reference to the transcendental source of these two essentially different worlds. Kant was the first to set morality rooted in the autonomy and unanimous will of all rational beings—or true humanity—against legal and religious legalism. Kant laid weight on the processual character of man’s self-education to social life through the sense of commitment to self-improvement for the benefit of the solidary co-existence of all rational beings that he developed in himself as a rational being. Thus created freedom is founded on the selflesness of goodness and represents a new quality of being that only manifests itself and evolves in community, interpersonalcentrically. It is a universalistic approach capable of gradually neutralising the human inclination towards radical evil.My attempt to compare these two interpersonalcentric humanism conceptions aims to add some substance to this very delicate element in Kuczyński’s universalism as a metaphilosophy construct.

The address presents Janusz Kuczyński’s main ideas, conception and his diverse and longstanding activity (as an ideologist, philosopher, editor, ecumenist, patriot). The author of this essay includes his own reflections on Kuczyński’s views.

The aim of this article is to characterize hermeneutic philosophy in a manner that differs from the usual attempts at defining this philosophical direction, especially in German philosophy, that is by referencing traditional hermeneutics. I would like to propose expounding its characteristics not in a historical, but theoretical manner. This task involves analysing the place of hermeneutic philosophy among other tendencies in contemporary philosophy as well as showcasing the advantages of its way of philosophizing. The article does not discuss issues related to this philosophy such as its limitations and unilaterality.

The paper describes the model shape of fanaticism. It defines fanaticism as a willing enslavement of personality and analysed the following features of it: intentionality, missionary attitude, being in love, intolerance, ability to satisfy ambivalent desires for objectivization and for subjectivization, and ability to evoke ambivalent feelings: moral condemnation and the feeling of admiration.

The paper proposes a new kind of universalism, i.e., a philosophy of “mankind-for-itself.” This conception which deals with the human world is based on some essential features of the western cultural world, indicated by the author, as well as on Karl Marx’s and Georg W. F. Hegel’s ideas and conceptions.

The author proposes and discusses the following thesis: That which determines the intensifying process of transition toward an entirely new situation on the globe is, to an ever increasing degree, consciousness, the self-knowledge of cultures, and above all philosophies as their most profound expression. The author considers this transition the growth of the universalism he interprets as a philosophy of mankind-for-itself. The considerations extensively refers to Kinhide Mushakoji’s conception of scientific revolution and inter-paradigmatic dialogue.

The paper discusses the problem of essence and sense of history, especially modern history, mainly by discussing Thomas Langan’s position expressed in his 1978 essay “Searching in History for the Sense of It All,” The Review of Metaphysics, September.

The paper presents reflections on human existence and the nature of human being. The author of the paper presents his own standpoint and compares it with other philosophical and religious conceptions of the human being, inter alia those formed in Christianity, Marxism and Cartesianism. The primary concern of the essay is the existential-anthropological significance of human being’s creativity.