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21.
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New Hibernia Review:
Volume >
22 >
Issue: 3
Lanta Davis
Redemptive Suffering in the Isenheim Altarpiece and Bernard MacLaverty’s Cal
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22.
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New Hibernia Review:
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22 >
Issue: 3
Audrey Robitaillié
A Changeling in Disguise:
Liminal Identity in Hugo Hamilton’s Novel
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23.
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New Hibernia Review:
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Issue: 3
David Jameson
Norah Hoult and Temple Lane’s Novels of Mixed Marriages in the Early Free State
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24.
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New Hibernia Review:
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22 >
Issue: 3
Shane Alcobia-Murphy
Forging Intertextual Encounters with Death:
Medbh McGuckian’s The High Caul Cap
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léirmheasanna: reviews |
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25.
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Issue: 3
Kathleen M. Heininge
The Theatre of Thomas Kilroy: No Absolutes, by José Lanters
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Issue: 3
Thomas O’Grady
The Last Straw
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27.
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New Hibernia Review:
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Issue: 3
Elizabeth R. Baer
Emergency Writing: Irish Literature, Neutrality, and the Second World War, by Anna Teekell
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28.
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New Hibernia Review:
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Issue: 3
Adrian Frazier
Seeing Yellow by Eva Bourke
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29.
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New Hibernia Review:
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Issue: 3
Francis M. Carroll
Expelling the Poor: Atlantic Seaboard States and the Nineteenth Century Origins of American Immigration Policy by Hidetaka Hirota
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30.
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New Hibernia Review:
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Issue: 3
David Lloyd
The Coming of the Celts, AD 1860: Celtic Nationalism in Ireland and Wales, by Caoimhín De Barra
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31.
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Issue: 3
Clúdach: Cover
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32.
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Issue: 2
Nótaí na nEagarthóirí: Editors’ Notes
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33.
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New Hibernia Review:
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Issue: 2
Shawn Gillen
The Irish Gambit
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34.
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New Hibernia Review:
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Issue: 2
Michael E. Beebe
Sean O’Faolain’s An Irish Journey:
Globalism, Tourism, and Labor in Provincial Ireland
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35.
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New Hibernia Review:
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Issue: 2
Kerron Ó Luain
Young and Old Ireland:
Repeal Politics in Belfast, 1846–1848
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36.
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New Hibernia Review:
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Brian Ó Conchubhair, Máirín Nic Eoin, Micheál Ó Conghaile, Philip O’Leary
Is Irish-Language Publishing at a Crossroads?
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37.
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Clúdach: Cover
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38.
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New Hibernia Review:
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Issue: 2
Moya Cannon
Filíocht Nua: New Poetry
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39.
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New Hibernia Review:
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Issue: 2
John C. Kerrigan
The Emergent Postsecular in Contemporary Irish Literature
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40.
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New Hibernia Review:
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Issue: 2
Molly Ferguson
“To Say No and No and No Again”:
Fasting Girls, Shame, and Storytelling in Emma Donoghue’s The Wonder
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