Film and Philosophy

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201.	Film and Philosophy: Volume > 10 Amy Coplan Caring about Characters: Three Determinants of Emotional Engagement view \| rights & permissions \| cited by


202.	Film and Philosophy: Volume > 10 Margrethe Bruun Vaage The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology view \| rights & permissions \| cited by


203.	Film and Philosophy: Volume > 10 lls Huygens Emotion and Film Theory: Incorporating Affect view \| rights & permissions \| cited by


204.	Film and Philosophy: Volume > 10 C. Paul Sellors A Realist Account of Fiction view \| rights & permissions \| cited by


205.	Film and Philosophy: Volume > 10 Scott Stroud Pragmatist Aesthetics and Film: The Thin Red Line and Orientational Meliorism view \| rights & permissions \| cited by


206.	Film and Philosophy: Volume > 10 Aaron Smuts V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance view \| rights & permissions \| cited by


207.	Film and Philosophy: Volume > 10 Kevin L. Stoehr The Dialectical Approach to the Art of the Moving Image: Hegel, Eisenstein and Kracauer view \| rights & permissions \| cited by


208.	Film and Philosophy: Volume > 10 Greg M. Smith Reflecting the Image: Satrean Emotions in the Writings of Andre Bazin view \| rights & permissions \| cited by


209.	Film and Philosophy: Volume > 10 Jonathan Lahey Dronsfield The Condition of Film as Philosophy: Or, How Can a Film Ask a Question? view \| rights & permissions \| cited by

symposium: noel carroll's engaging the moving image
210.	Film and Philosophy: Volume > 10 Andrew Light Objectivity and the Film of Presumptive Assertion view \| rights & permissions \| cited by

211.	Film and Philosophy: Volume > 10 Thomas Wartenberg Understanding Film Form: A Critique of Carroll's Functional Account view \| rights & permissions \| cited by

212.	Film and Philosophy: Volume > 10 Noël Carroll The Moving Image: Form and Fact-Response to Tom Wartenberg and Andrew Light view \| rights & permissions \| cited by


213.	Film and Philosophy: Volume > 10 Books Received From Members view \| rights & permissions \| cited by

errata
214.	Film and Philosophy: Volume > 10 "Figure 1, The continuum of empathic experiences" (insert at p.33) view \| rights & permissions \| cited by

215.	Film and Philosophy: Volume > 10 "References" (insert at p.38) view \| rights & permissions \| cited by


216.	Film and Philosophy: Volume > 9 Dan Shaw Editor's Introduction view \| rights & permissions \| cited by


217.	Film and Philosophy: Volume > 9 Nathan Andersen Is Film the Alien Other to Philosophy?: Philosophy as Film in Mulhall's On Film view \| rights & permissions \| cited by


218.	Film and Philosophy: Volume > 9 Julian Baggini Alien Ways of Thinking view \| rights & permissions \| cited by


219.	Film and Philosophy: Volume > 9 Stephen Mulhall Ways of Thinking: A Response to Andersen and Baggini view \| rights & permissions \| cited by


220.	Film and Philosophy: Volume > 9 Jonathan Hiers A Common Ground Between Science and Religion: A Comparison of Contact and The Varieties of Religious Experience view \| rights & permissions \| cited by

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Film and Philosophy

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Displaying: 201-220 of 360 documents