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Mediaevalia
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Displaying: 261-280 of 658 documents
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261.
Mediaevalia:
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25
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Issue: 1
Marco Della Sciucca
La Musica nel Medioevo Abruzzese
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262.
Mediaevalia:
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25
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Issue: 1
Sinéad O'Sullivan
Styles of Glossing and Styles of Knowing in Early Medieval Manuscripts of Prudentius' Psychomachia
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263.
Mediaevalia:
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24
Brian Repsher
The Abecedarium: Catechetical Symbolism in the Rite of Church Dedication
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264.
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24
Adrian P. Tudor
Past and Present: The Voice of an Anonymous Medieval Author
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265.
Mediaevalia:
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24
Denise Keyes Filios
Rewriting Griselda: From Folktale to Exemplum
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266.
Mediaevalia:
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24
Michael Gleason
Water, Water, Everywhere: Alcuin's Bede and Balthere
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267.
Mediaevalia:
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24
Marco Giovini
Un Aspetto del "Furto Sacro" Secondo Agostino: Rosvita e il Trionfo della Feminea Fragilitas in Prospettiva Terenziana
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268.
Mediaevalia:
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24
Karla Mallette
Terra Recognita: Excursus on the Literary History of Sicily
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269.
Mediaevalia:
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24
Michael Winkelman
Working in the York Plays
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270.
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24
Candace Barrington
"Misframed Fables": Barclay's Gower and the Wantonness of Performance
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271.
Mediaevalia:
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24
Teresa Bargetto-Andrés
The XVc Translation of the Divina Comedia: A Product of Dictation?
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272.
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24
Lucie Bonato, Maryse Emery
Chypre au Moyen-Âge - Les Cathédrales: L'Influence Française
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273.
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24
Colleen Donnelly
Blame, Silence, and Power: Perceiving Women in Sir Gawain and the Green Knight
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274.
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24
Joy M. Currie
Rejecting Natural Law and Society's Dissolution in Chaucer's Troilus
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275.
Mediaevalia:
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24
Maureen Gillespie Dawson
Reading Conversion in French Medieval Saints' Lives
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276.
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23
Jamie C. Fumo
An Interpretive Crux In Januarie's Garden: Chaucer's Merchant's Tale and the Crucifixion
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277.
Mediaevalia:
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23
Alyce A. Jordan
Seeing Stories in the Windows of the Sainte-Chapelle: The Ars Poetriae and the Poetics of Visual Narrative
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278.
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23
Anne Marie De Gendt
Autobiography as a Rhetorical Strategy in the Livre du Chevalier de la Tour Landry pour l'Enseignement de Ses Filles
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279.
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23
Thomas C. Kennedy
The Wife of Bath on St. Jerome
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280.
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Alice Sheppard
Love Rewritten: Authorizing History in the Prologue to Laʒamon's Brut
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