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Proceedings of the XXII World Congress of Philosophy:
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Stephanie Over
Notion and Structure of Art in Hegel’s Aesthetics
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This study will focus on a systematic exemplification of the notion of art and artwork based on Hegels aesthetics. It opposes two forms of skepticism which (1) question the possibility and value of a definition of art and (2) reject the category of the artwork for art is regarded as a process rather than a material thing. As such it is no longer something that can be conceived by seeing, hearing or touching the end product of that process. The criticism of these postions results in an understanding of works of art as objects or processes with a specific structure of meaning. The study developes ideas which are related to Hegel's thought, insofar as Hegel regards the artwork as an expression of the ‘idea’, and the term ‘idea’ designates a complex semantic structure.
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Proceedings of the XXII World Congress of Philosophy:
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Modesto Ortega Umpiérrez, Lucía Martínez
El espacio de la infancia
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Fue Baudelaire quien advirtió que, en el juguete, podemos encontrar materia de reflexión. En un texto publicado en el Monde Littéraire del 17 de abril de 1853 con el título de “Moral del juguete”, cuenta la visita hecha siendo niño a casa de Mme. Panckoucke: Me tomó de la mano y cruzamos así juntos varias habitaciones; después abrió la puerta de una estancia que me ofreció un espectáculo extraordinario y verdaderamente fabuloso. Los muros no eran yavisibles hasta tal punto estaban recubiertos de juguetes. El desván desaparecía bajo una floritura de juguetes que colgaban como estalactitas maravillosas. El piso dejaba apenas un pequeño paso sobre el que posar los pies… Es a causa de esta aventura si no puedo detenerme delante de una tienda de juguetes y recorrer con la mirada la inextricable muchedumbre de sus formas extrañas y de sus colores dispares, sin pensar en la señora vestida de terciopelo y de pieles, que se me a apareció como el Hada del juguete.
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Proceedings of the XXII World Congress of Philosophy:
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Galina Kolomiets
The Axiological Status of Music
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The paper is based on the original study of Galina Kolomiets named «The conception of music value as a substance and as the way of value interaction between the person and the world» which is presented in the monograph “The music value: philosophical aspect”. The phenomenon of music is considered as the indissoluble unity of its two hypostases – the essence of music (musical substance) and musical skill, which belongs to the person and the world. The basicidea of the author is to show, how the extra-historical essence of music (world harmony, universal rhythm) is connected with the man and the world and what are “the cohesion mechanisms” of musical substance as a form of art. According to the study such mechanisms are: the music value and value in the music, inverted, from one side, to the highest sense, from another - to the senses of human life.
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Proceedings of the XXII World Congress of Philosophy:
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AeJu Lee
춤과 마음
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Dance is the gesture of life. In other words, dance is a moving gesture to attain life's aim. As people have will to accomplish their aim, the will of life is expressed in dancing. Dance comes, therefore, from the heart as it arises from the flow of mind. The visible dancing feature begins from invisible mind. While life is made of flesh and mind, dance is the gesture of life containing both. Culture is from people's life. As the ground of culture have people's personal and also collective history, it is the case in Chum (Korean traditional dance). No matter what region or folk is, every ethnical dance express its own condensed culture and heritage. In this respect, though each ethnical traditional dance can't be evaluated, Korean sees people as the small universe. Chum does not simply express ourbody. We conceived nature and human as one, as a whole that cannot be dividable. Based on that wisdom, Chum has expressed the holistic gesture of Korean and nature. As summary, Chum is the movement of nature and flow of mind of Korean, expressing our culture.
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