The study deals with the conception of personal immortality in Miguel de Unamuno’s works. The starting point of his reflections is a particular person of “flesh and blood“ and his authentic existence. Unamuno’s “hunger of immortality“ is inspired by man’s confrontation with the phenomenon of death. For Unamuno existential phenomena of suffering and anxiety seem to be the keyword to the authentic existence and God then becomes a guarantor of individual immortality. The study concentrates on Unamuno’s conception of God in the spirit of panentheism and Spanish Krausism. It observes Unamuno’s philosophical sources of information when discussing the question of immortality from Pythagoras to Platon while opposing the views of impersonal immortality (e.g. B. Spinoza). His theological argumentation is based mainly on S. Kierkegaard, St. Paul and Spanish mystics. His philosophical ideas are extracted especially from his works The Tragic Sense of Life, The Agony of Christianity and The Intimate Diary. His novella Saint Emmanuel The Good, Martyr serves as a fictional illustration of his ideas. The study concludes with the evaluation of Unamuno as an author writing “philosophizing literature“ and as a predecessor of existentialist literature, who was orientated towards Christian personalism.

This article presents how Pelikan reflected Hoppe’s work in Ruch filosofický. Pelikan dealt with Hoppe’s philosophical development and simultaneously noticed philosophers that were inspiring for Hoppe’s philosophy. Pelikan appraised the significance of Hoppe’s work in Czech philosophical thinking of the first half of the twentieth century and his acccent of spiritual life. Pelikan agreed with Hoppe’s extension of the doctrine of intuition although his conception of intuition was different from Hoppe.

After 1945, Czech philosophy and culture were first introduced to existentialism. First it was the original works of French existentialists (Sartre, Camus, Marcel), later by means of the journal Letters (1947) and Václav Černý (The first book on existentialism, 1948). The acceptance of existentialism in Czech context was not univocal. Besides factual analyses (J. Patočka, V. Navrátil, V. T. Miškovská), existentialism met with criticism and rejection mainly from Marxists and Catholic scholars for its rational weakness, pessimism, helplessness and intellectual decline.

The aim of this article is to reconstruct the contributions that Wittgenstein made to the field of aesthetics. The focus of interest lies on the theory of sensory perception. This theory is characterized as a program of “minimal visibilia” and will be analyzed by employing the phenomenological method. Three problems are addressed in the context of the visual space, such as blurredness, indistinctness and sensory impressions. A distinction between the visual space and the Euclidean space can only be made by comparing their respective typical structures. We will particularly analyze the relation that exists between the perceiving human being on the one hand and the visual space on the other hand. In order to get a deeper insight into this problem the visual space shall be compared to a two-dimensional picture. Moreover the role and function of the colours have to be clarified to establish a “minimum visibilia”.

The essay deals with the religious and moral elements in philosophy of F. A. Hayek, as well as his personal attitude to religion. The topics are discussed on the background of liberal ideology, the relationship of cognitive sciences to the determination of human action and approximation of critical rationality to dogmatic authoritarianism in its enforcement. Attention is also paid to the scientific concept of Hayek’s defense of liberal ideology.

Terms do not always cover the same meaning all the time. While translating into another language we have to take care of possible shifts in meaning in each of both languages. Some examples have been shown here from the new translation of Locke‘s Essay into Czech.