Some philosophers have argued that love has moral-psychological power, as it can motivate one to appreciate the existence of others and to offer care for them. This appears evident in the context of our relations with nonhuman animals and nature: love can motivate one to think of them as morally considerable. But what is love? The paper at hand investigates one classic philosophical definition of love and applies it to our relationship with other animals and nature. This definition is the quality view of love, i.e., Platonic love, which, I argue, facilitates deeper moral concern for nonhuman animals and things.

While environmental ethics has flourished and contributed to the discussion of environmental policy, other areas of philosophy (epistemology, for example), have been less in evidence in these discussions. In this paper, we explore a role for these neglected areas: they are best viewed as meta-level discussions of the conceptual and linguistic problems that arise as scientists develop models at the edges of scientific fields relevant to our understanding of environmental problems and possible solutions. The relevant fields, which might differ depending on the specific environmental problem being addressed, can be thought of as a collection of “philosophies of ____” where the blank stands for one of the relevant disciplines, such as biology, ecology, or economics. We eschew the typical arguments regarding which models are correct in favor of a pragmatic/pluralistic approach to understanding scientific models. This pragmatic approach softens interdisciplinary conflicts as Rudolf Carnap’s Principle of Tolerance (linguistic conventionalism) urges an experimental approach to developing linguistic frameworks for differing situations. This approach is illustrated by an examination of the models proposed by ecologists and economists.

This paper argues that a specifically environmental ethic is neither needed nor perhaps desirable for effecting the change in values for which many environmentalists have rightly called. Rather, familiar values such as beauty and excellence, and especially an outlook that regards those values as central aspects of a good life, may be all that is needed. The requisite ethic of appreciation is already embedded to some degree in a wide range of cultures, so no radical shift in values is called for, nor convergence on a tendentious moral framework. But this outlook meets with skepticism from the dominant public ethos, as embodied for instance in mainstream economics. While this paper does not offer a full-blooded defense of an aesthetic grounding for environmental concern, it does suggest that the skepticism about such a grounding is considerably overblown.

Global climate change raises critical issues of intergenerational ethics. One of these issues involves what Stephen Gardiner calls intergenera­tional buck-passing (IGBP)—a pattern through which each generation does little to address climate change and instead passes the problem along to the next, progressively amplifying the climate crisis over time. My goal in this paper to explore two key questions: (1) What is at the root of intergenera­tional buck-passing? and (2) What changes might help to disrupt it? To an­swer these questions, I argue that we need to understand and address the role of moral ambivalence in reinforcing the status quo and creating friction that impedes climate action. Confronting moral ambivalence may enable more thoughtful and just responses to climate change that support intergenerational solidarity and mutual flourishing.

This article contemplates the possibility of a philosophy of nature in and for the twenty-first century. Following an examination of the contemporary critiques of the concept of nature, I propose an alternative approach, inspired by Heraclitus and Friedrich Schelling, according to which nature is not an archaic category, but something yet to come, to be invented and reinvented. At the same time, I argue that the irreducible futurity of nature needs to be set in the context of the current global destruction of ecosystems, which indicates the exhaustion of the fecundity and self-renewal that are at the core of the future-oriented conception of nature as an activity. Hence, whatever is yet to come as far as nature is concerned ought to be anticipated in light of what I call “finite finitude,” implying an ethics that is distinct from the ideologies of infinite renewability.

This article examines one of Italo Calvino’s most beloved novels, (1957), contextualizing it in its landscape and exploring the multifaceted strands of its environmental creativity. Unsuspected paths of political ecology, environmental history, and even biosemiotics and plant neurophysiology will emerge, thus showing the timeliness and clairvoyance of his books vis-à-vis our planetary crises. Written in a seminarrative form, this piece is an invitation to read literary works not only along with their landscapes, but their landscapes, and to consider the potential of more-than-human stories for the shaping of our ethical-environmental imagination.

In some environmental circles, talk of relational values is very much in fashion. It is said that we must think in terms of such values if we are to understand how such things as canyons, mangroves, and coral reefs matter to people. But that is bad advice. Appeals to relational values are typically misleading in several respects. Granted, those who make such appeals often do so in order to make the important point that some values are neither intrinsic nor instrumental in form, but that point can be made more clearly by referring to other concepts, such as that of constitutive value. To this objection, some may respond that appeals to relational value are nonetheless useful. However, as things stand, their usefulness remains unproven.

This paper’s main aim is to discuss the relations between our duties and moral aims at different times, and between different people’s moral aims and duties. The paper is unfinished because it was written as part of an intended chapter in the third volume of my book On What Matters, and I later decided to drop this chapter. That is why this paper asks some questions which it doesn’t answer. But though this paper does not end with some general conclusions, it defends some particular conclusions.

The ideas of expression and expressiveness have been central to Stanley Cavell’s writing from the beginning, joining themes from his more strictly philosophical writing to the role of human expression as projected in cinema. This paper explores a thread running through several different parts of his writing, relating claims he makes about the photographic medium of film and its implications for the question of expression and expressivity in film There is an invocation of notions of necessity and control in the context of cinema that should be understood in the context of related ideas in his writings on Wittgenstein and others. The paper pursues some thoughts about the power of the camera, the themes of activity and passivity in expression, and the human face as the privileged field of such activity and passivity.

The term “asshole” might be of interest to philosophers for several reasons. It displays the power of philosophy to expose the implicit structure of ordinary thought. It suggests why we should not be able to answer certain skeptics on their own terms. It corroborates the idea of an “internal” connection between moral judgment and motivation. And it raises doubts about expressivism where it has the best chance of being true.