It is generally believed that pure versions of infinitism face two problems, namely: 1) they are unable to distinguish between potential and actual series of justified reasons because they are defined strictly in terms of relations between beliefs in the series so that every succeeding belief is justified by the belief before it and so on ad infinitum and, 2) they are unable to mark the difference between a set of justified reasons that are connected to truth and one that is not because they are defined strictly in terms of a relation between beliefs in the series of reasons. However, Aikin argues that impure infinitism could surmount these problems without undermining the infinite regress condition because impure infinitism can solve the Modus Ponens Reductio, MPR, argument that threatens pure versions of infinitism. I argue that Aikin does not succeed because his impure infinitism faces some fatal consequences and any attempt to salvage it will undermine the infinite regress of justification.

This paper investigates whether, and if so, in what way, argumentation can be profitably described in speech-act theoretical terms. I suggest that the two theories of argumentation that are supposed to provide the most elaborate analysis of it in speech-act theoretical terms (namely van Eemeren and Rob Grootendorst’s Pragma-Dialectics and Lilian Bermejo-Luque’s linguistic normative model of argumentation) both suffer from the same two flaws: firstly, their “illocutionary act pluralism” assumption and secondly, a lack of interest in where arguing belongs in the classification of illocutionary acts. I argue that these flaws derive from the authors’ reliance on an intention-based speech-theoretical framework. Finally, I adopt a deontic framework for speech acts in order to propose an alternative way of accounting for argumentation which seems to overcome the two limitations outlined above. According to this framework, argumentation may be conceived as a speech act sequence, characterized by the conventional effects brought about by the communicative moves (as illocutionary acts) of which it is composed.

I explore some issues in the logics and dialectics of practical modalities connected with the Consequence Argument (CA) considered as the best argument for the incompatibility of free will and determinism. According to Lewis (1981) in one of the possible senses of (in)ability, the argument is not valid; however, understood in the other of its possible senses, the argument is not sound. This verdict is based on the assessment of the modal version of the argument, where the crucial notion is power necessity (“no choice” operator), while Lewis analyses the version where the central notion is the locution “cannot render false.”Lewis accepts closure of the relevant (in)ability operator under entailment but not closure under implication. His strategy has a seemingly strange corollary: a free predetermined agent is able (in a strong, causal sense) to falsity the conjunction of history and law. I compare a Moorean position with respect to radical skepticism and knowledge closure with ability closure and propose to explain Lewis’s strategy in the framework of his Moorean stance.

In the paper I suggest that a loose notion of logical form can be a useful tool for the understanding or evaluation of everyday language and the explicit and implicit content of communication. Reconciling ordinary language and logic provides formal guidelines for rational communication, giving strength and order to ordinary communication and content to logical schemas. The starting point of the paper is the idea that the bearers of logical form are not natural language sentences, but what we communicate with them, that is, their content in a particular context. On the basis of that idea, I propose that we can ascribe logical proprieties to what is communicated using ordinary language and suggest a continuum between semantic phenomena such as explicatures and pragmatic communicational strategies such as (particularized) conversational implicatures, which challenges the idea that an implicatum is completely separate from what is said. I believe that this continuum can be best explained by the notion of logical form, taken as a propriety of sentences relative to particular interpretations.

This paper examines a well-known non-identity case of a mother who chooses to conceive a blind child instead of a sighted one. While some people accept the non-identity argument and claim that we should reject the intuition that the mother’s act is morally wrong, others hold onto that intuition and try to find a fault in the non-identity argument. This paper proposes a somewhat middle approach. It is argued that the conclusion of the non-identity argument is not necessarily in conflict with our intuitive response to this case.

This paper is in the scope of the philosophy of modal logic; more precisely, it concerns the semantics of modal logic, when the modal elements are interpreted as logical modalities. Most authors have thought that the logic for logical modality—that is, the one to be used to formalize the notion of logical truth (and other related notions)—is to be found among logical systems in which modalities are allowed to be iterated. This has raised the problem of the adequacy, to that formalization purpose, of some modal schemes, such as S4 and S5 . It has been argued that the acceptance of S5 leads to non-normal modal systems, in which the uniform substitution rule fails. The thesis supported in this paper is that such a failure is rather to be attributed to what will be called “Condition of internalization.” If this is correct, there seems to be no normal modal logic system capable of formalizing logical modality, even when S5 is rejected in favor of a weaker system such as S4, as recently proposed by McKeon.

The circularity problem states that the representationalist about phenomenal consciousness gives a circular explanation if she adopts the classic view about secondary qualities, such as colours, that characterises them as dispositions to produce experiences with a specific phenomenal character. Since colour primitivism faces severe difficulties, it seems that colour physicalism is the only viable option for the representationalist. I will argue that the representationalist is not committed to colour physicalism because she can adopt an anti-realist theory of colour. My diagnosis is that the alleged commitment to colour physicalism rests upon the acceptance of colour realism which is due to the approval of externalist versions of representationalism, such as tracking representationalism. I will argue that the representationalist can deal with the circularity problem by adopting figurative projectivism, which holds that colours are contingently non-instantiated properties that only figure in the representational contents of colour experiences.

A general criterion for distinguishing between epistemic and non-epistemic values is that the former promotes the attainment of truth whereas the latter does not. Daniel Steel (2010, 2016) is a proponent of this criterion, although it was initially proposed by McMullin (1983). There are at least two consequences of this criterion; (i) it always prioritizes epistemic values over non-epistemic values in scientific research, and (ii) it overlooks the diverse aims of science, especially the aims of regulatory or policy-oriented science. This criterion assumes the lexical priority of truth or lexical priority of evidence. This paper attempts to show a few inadequacies of this assumption. The paper also demonstrates why epistemic priority over non-epistemic values is a problematic stance and how constraining the role of non-epistemic values as ‘tiebreakers’ may undermine the diverse aims of science.

Cladism, today the dominant school of systematics in biology, includes a classification component—the view that classification ought to reflect phylogeny only, such that all and only taxa are monophyletic (i.e. consist of an ancestor and all its descendants)—and a metaphysical component—the view that all and only real groups or kinds of organisms are monophyletic. For the most part these are seen as amounting to much the same thing, but I argue they can and should be distinguished, in particular that cladists about classifi cation need not accept the typically cladist view about real groups or kinds. Cladists about classification can and should adopt an explanatory criterion for the reality of groups or kinds, on which being monophyletic is neither necessary nor sufficient for being real or natural. Thus the line of reasoning that has rightly led to cladism becoming dominant within systematics, and the attractive line of reasoning in the philosophical literature that advocates a more liberal approach to natural kinds, are seen to be, contrary to appearances, compatible.

Inferentialism has brought important insights into the nature of meanings. It breaks with the representationalist tradition that sees meanings as constituted primarily by representing some extra-linguistic reality. Yet the break with tradition should be pursued further. Inferentialists still regard meanings as static, and they still do not entirely abandon the idea of fully determined meaning. Following Davidon’s ideas about meanings as constituted only in the course of a specific conversation, I propose a dynamic account of what meanings are. They are described as entities belonging to the dynamic realm of Henri Bergson’s duration. The inhabitants of this realm live in constant movement and development which is more essential to them than the stages that this development goes through. My account brings about a rejection of the notion of strict literal meaning and therewith also of the contrasting notions such as ambiguity. Meaning is understood as a dynamic entity that is characterized rather by its history than by its nature.

According to higher order (HO) theories of consciousness, a mental state is conscious when there is a HO state about it. However, some HO states do not seem to be about other existing mental states. It is possible to resolve this problem since targetless HO states resemble HO states that misrepresent but the assumption that HO states always target other existing mental states is at odds with the theory since HO states are not only necessary but also sufficient for phenomenal consciousness according to the theory. Given the sufficiency of the HO states for consciousness, there is a need to understand the emergence of HO states as a non-random phenomenon to avoid the difficulties caused by targetless HO states. I suggest it is possible to develop such an understanding by thinking of HO states as predictive states in accordance with the predictive processing theory of the mind.

Symbol Grounding Problem (SGP) (Harnad 1990) is commonly considered one of the central challenges in the philosophy of artificial intelligence as its resolution is deemed necessary for bridging the gap between simple data processing and understanding of meaning and language. SGP has been addressed on numerous occasions with varying results, all resolution attempts having been severely, but for the most part justifiably, restricted by the Zero Semantic Commitment Condition (Taddeo and Floridi 2005). A further condition that demands explanatory power in terms of machine-to-human communication is the Non-Stupidity Condition (Bringsjord 2013) that demands an SG approach to be able to account for plausibility of higher-level language use and understanding, such as pragmatics. In this article, we undertake the endeavour of attempting to explain how merging certain early requirements for SG, such as embodiment, environmental interaction (Ziemke 1998), and compliance with the Z-Condition with symbol emergence (Sun 2000; Tangiuchi et al. 2016, etc.) rather than direct attempts at symbol grounding can help emulate human language acquisition (Vogt 2004; Cowley 2007). Along with the presumption that mind and language are both symbolic (Fodor 1980) and computational (Chomsky 2017), we argue that some rather abstract aspects of language can be logically formalised and finally, that this melange of approaches can yield the explanatory power necessary to satisfy the Non-Stupidity Condition without breaking any previous conditions.

Both Lowe and Tsai have presented their own versions of the theory that both indicative and subjunctive conditionals are strict conditionals. We critically discuss both versions and we find each version wanting.

This paper starts from the fact that the study of narrative in contemporary Anglo-American philosophy is almost exclusively the study of fictional narrative. It returns to an earlier debate in which Hayden White argued that “historiography is a form of fiction-making”. Although White’s claims are hyperbolical, the paper argues that he was correct to stress the importance of the claim that fiction and non-fiction use “the same techniques and strategies”. A distinction is drawn between properties of narratives that are simply properties of narratives and properties of narratives that play a role in forming readers’ beliefs about the world. Using this distinction, it is shown that it is an important feature of nonfictions that they are narratives; it is salutary to recognise non-fictions as being more like fictions than they are like the events they represent.

Anti-cognitivism is best understood as a challenge to explain how works of fictional narrative can add to our worldly knowledge. One way to respond to this challenge is to argue that works of fictional narrative add to our knowledge by inviting us to explore, in the imagination, the perspectives or points of view of others. In the present paper, I distinguish two readings of this thesis that reflect two very different conceptions of “perspective”: a first understanding focuses on what the world looks like from a subjective point of view. Within this framework, we can distinguish approaches that focus on the subjective character of experience from others that explore the nature of subjectivity. I will argue that both strands can be successful only if they acknowledge the de se character of imagining. The second conception understands perspective as a method of representing. To illustrate it, I will look back to the invention of linear perspective in Renaissance painting. I will argue that the definition of perspective as a rule-guided method or technique can shed new light on the thesis that works of narrative fiction are particularly suited to display other perspectives.

The supple and ever-present search for the possibilities offered by the narrative form in fictional writing corresponds to the use of the narrative as a mode of understanding and explaining our being-in-the-world in philosophy. The intimate liaison between the realm of fictional imagination and that of human everydayness inspires writers to seek ways to tackle issues of temporality, the conflicting character of human drives, and the ultimately unresolvable tension between finitude and infinitude. As a literary and philosophical category, the narrative remains an inexhaustible space for the exploration of the way we understand our lives. I propose a hermeneutic investigation of the interactions between the art of narration and the categories of space, presence/absence, and (be)longingness as evoked in Virginia Woolf’s Mrs. Dalloway. This article engages Martin Heidegger’s hermeneutics of facticity, and, more specifically, his notions of homelessness and homecoming, to shed light on the inimitable character of Woolf’s artistic representations of the spatial dimension of human existence, reality viewed as both tremulous and solid, as well as of human embodiment and the disparity/closeness between the corporeal and the spiritual.

In the debate on our engagement with and appreciation of fiction films, the thesis that the viewer of a fiction film imagines observing fictional events, and the thesis that these events are imagined to be presented by a narrator, are usually taken as two components of one theoretical package, which philosophers such as George Wilson and Jerrold Levison defend, while philosophers such as Gregory Currie and Berys Gaut reject. This paper argues that the two theses can be disentangled and investigates their logical connection. The investigation shows that the second thesis entails the first but there is no entailment the other way around. Endorsing the first thesis is thus compatible with two options, namely endorsing the second thesis or abandoning it. However, the paper argues that if we endorse the first thesis, endorsing the second provides us with a more compelling explanation of our engagement with and appreciation of fiction films.

In what sense can aesthetic experience be considered an opportunity for the development of personal identity, cognitive abilities, and emotions? Theatre proves to be an important field of investigation to approach this question. During a theatrical experience, the connection between fiction and reality can take the form of active cooperation between author, actor, and spectator. A better understanding of this point can be drawn by pointing out three kinds of spectator: we can distinguish a critical spectator, an emotional spectator, and an instinctual spectator, who respectively represent: the imaginative and hermeneutic attitude; empathy and fictional emotions; the unconscious satisfaction of drives. So far, a parallel can be established between literature and theatre. However, these two aesthetic experiences are profoundly different: the type of immersion provided by the theatrical experience differs from reading, because the presence of the characters is physical and actual. The pragmatic theatrical framework is the same as that which underlies childhood games. This means that the public too is to some extent called to play, i.e. to act. To appreciate the implications of this thesis, a preliminary analysis of the performance Reality (Deflorian and Tagliarini 2012) is offered, examining how its experience contributes to the development of the spectating subject.

Literature has been philosophically understood as a practice in the last thirty years, which involves “modes of utterance” and stances, not intrinsic textual properties. Thus, the place for semantics in philosophical inquiry has clearly diminished. Literary aesthetic appreciation has shifted its focus from aesthetic realism, based on the study of textual features, to ways of reading. Peter Lamarque’s concept of narrative opacity is a clear example of this shift. According to the philosophy of literature, literature, like any other art form, does not compel us to engage realistically with it. Against this trend, this paper argues for the distinction between two kinds of opacity, defending textual opacity as a necessary condition for literary opacity. In this sense, examples in literary criticism properly illustrate not a peripheral role of meaning in literary appreciation, but arbitrariness in interpretation, which involves semantic concerns. So the assumed interest in the specific ways in which literature embeds meaning in fictional narrative works.