Beginning with attention to the double shadow of death that hovers over the Theaetetus, I discuss the pervasive presence in that dialogue of finitude and the effect that recognition has on Socratic/Platonic philosophy, which, even in this supposedly “later” dialogue, remains deeply and in a sustained way aporetic, interrogative. But such aporia, and the interrogative stance that follows from it, is also, I argue, a fundamental mode of knowing.

In Plato’s later dialogues, and particularly in the Sophist, there is a general reinterpretation and rehabilitation of the name (onoma) in philosophy. No longer understood rather vaguely as one of potentially dangerous and deceptive elements of everyday language or of poetic language, the word onoma is recast in the Sophist and related dialogues into one of the essential elements of a philosophical language that aims to make claims or propositions about the way thingsare. Onoma, now understood as name, is thus coupled with rhema, or verb, to form the two essential elements of any logos, that is, any claim, statement, orproposition. This paper follows Plato’s gradual rehabilitation and reinscription of the name from early dialogues through late ones in order to demonstrate thenew role Plato fashions for language in these later works.