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Displaying: 181-200 of 335 documents

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181. Film and Philosophy: Volume > 18
Daniel Wack How Movies Do Philosophy
182. Film and Philosophy: Volume > 18
Sander Lee The Moral Implications of Gettysburg
183. Film and Philosophy: Volume > 18
Alain Beauclair I Have Been And Always Shall Be Your Friend
184. Film and Philosophy: Volume > 18
Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
185. Film and Philosophy: Volume > 18
Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life
186. Film and Philosophy: Volume > 18
C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film?
187. Film and Philosophy: Volume > 18
Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story
188. Film and Philosophy: Volume > 18
Vernon Cisney The Madness of God: The Schizosign in Shutter Island
189. Film and Philosophy: Volume > 21
Shai Biderman, Ido Lewit TV’s Fargo and the Philosophy of the Coen Brothers
190. Film and Philosophy: Volume > 21
Jonathan Kwan Philosophy Through Ambiguity: Readings of Blade Runner
191. Film and Philosophy: Volume > 21
Richard Nunan Authorial Intent, Alien, and Thomas Wartenberg’s Alleged Necessary Condition for Films to Do Philosophy
192. Film and Philosophy: Volume > 21
Alessandro Giovannelli The Finale of AI: Artificial Intelligence
193. Film and Philosophy: Volume > 21
Amresh Sinha The Ideology of Inception
194. Film and Philosophy: Volume > 21
David H. Calhoun Imagined Cosmologies: Nature and the Unveiling of Nature in Malick’s The Tree of Life and Kubrick’s 2001: A Space Odyssey
195. Film and Philosophy: Volume > 21
Enrico Terrone Blessed Are the Forgetful: Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind
196. Film and Philosophy: Volume > 21
Iskra Fileva The Duties of an Artist
197. Film and Philosophy: Volume > 21
Joseph Kupfer What Movies Teach Us About Teaching: Excellence and Maleficence in The Classroom
198. Film and Philosophy: Volume > 3
Mark Vorobej Monstrous Equivocation
199. Film and Philosophy: Volume > 3
Daniel Shaw Horror and the Problem of Personal Identity: Dead Ringers
200. Film and Philosophy: Volume > 3
Joseph Kupfer Fresh Phronesis