181.
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Film and Philosophy:
Volume >
18
Daniel Wack
How Movies Do Philosophy
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182.
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Film and Philosophy:
Volume >
18
Sander Lee
The Moral Implications of Gettysburg
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183.
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Film and Philosophy:
Volume >
18
Alain Beauclair
I Have Been And Always Shall Be Your Friend
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184.
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Film and Philosophy:
Volume >
18
Fabio Bacchini
Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
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185.
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Film and Philosophy:
Volume >
18
Shawn Loht
Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film:
A Reading of The Tree of Life
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186.
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Film and Philosophy:
Volume >
18
C. Paul Sellors
What in the World Distinguishes Fiction from Nonficton Film?
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187.
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Film and Philosophy:
Volume >
18
Joseph Kupfer
Wonder Boys: Righting Our Lives by Writing the Story
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188.
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Film and Philosophy:
Volume >
18
Vernon Cisney
The Madness of God:
The Schizosign in Shutter Island
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189.
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Film and Philosophy:
Volume >
21
Shai Biderman, Ido Lewit
TV’s Fargo and the Philosophy of the Coen Brothers
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190.
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Film and Philosophy:
Volume >
21
Jonathan Kwan
Philosophy Through Ambiguity:
Readings of Blade Runner
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191.
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Film and Philosophy:
Volume >
21
Richard Nunan
Authorial Intent, Alien, and Thomas Wartenberg’s Alleged Necessary Condition for Films to Do Philosophy
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192.
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Film and Philosophy:
Volume >
21
Alessandro Giovannelli
The Finale of AI: Artificial Intelligence
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193.
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Film and Philosophy:
Volume >
21
Amresh Sinha
The Ideology of Inception
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194.
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Film and Philosophy:
Volume >
21
David H. Calhoun
Imagined Cosmologies:
Nature and the Unveiling of Nature in Malick’s The Tree of Life and Kubrick’s 2001: A Space Odyssey
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195.
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Film and Philosophy:
Volume >
21
Enrico Terrone
Blessed Are the Forgetful:
Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind
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196.
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Film and Philosophy:
Volume >
21
Iskra Fileva
The Duties of an Artist
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197.
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Film and Philosophy:
Volume >
21
Joseph Kupfer
What Movies Teach Us About Teaching:
Excellence and Maleficence in The Classroom
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198.
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Film and Philosophy:
Volume >
3
Mark Vorobej
Monstrous Equivocation
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199.
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Film and Philosophy:
Volume >
3
Daniel Shaw
Horror and the Problem of Personal Identity: Dead Ringers
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200.
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Film and Philosophy:
Volume >
3
Joseph Kupfer
Fresh Phronesis
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